Chris Connor's 'Blame It On My Youth' had a release date set for January 1, 1954. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Blame It On My Youth's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 21 in All About Chris by Chris Connor. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Blame It On My Youth's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Blame It On My Youth by Chris Connor is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We'll Be Together Again | Anita O'Day, Oscar Peterson Quartet | G Major | 1 | 9B | 117 BPM | ||
| The Touch Of Your Lips | Dorothy Dandridge | G Major | 2 | 9B | 109 BPM | ||
| Frankie And Johnny | Morgana King | E♭ Major | 3 | 5B | 87 BPM | ||
| It Isn't So Good | Irene Kral | A♭ Major | 4 | 4B | 108 BPM | ||
| Almost Like Being In Love | Red Garland, Paul Chambers, Art Taylor | C Minor | 3 | 5A | 94 BPM | ||
| Do Nothing 'Til You Hear From Me | Molly Johnson | B♭ Major | 2 | 6B | 65 BPM | ||
| Satin Doll | Lorez Alexandria | A Minor | 2 | 8A | 121 BPM | ||
| Satin Doll | Carol Sloane, Roland Hanna, George Mraz, Richie Pratt | C Major | 2 | 8B | 136 BPM | ||
| When Lights Are Low | Dakota Staton | C Minor | 4 | 5A | 96 BPM | ||
| Warm in December | Laura Anglade, Sam Kirmayer | E Minor | 2 | 9A | 78 BPM | ||
| One For My Baby | Ruth Cameron | E Major | 2 | 12B | 173 BPM | ||
| The Masquerade Is Over | Nancy Wilson, Cannonball Adderley | B♭ Major | 0 | 6B | 174 BPM | ||
| I Got A Right To Cry - Remastered | Mose Allison | A♭ Major | 3 | 4B | 120 BPM | ||
| Where Oh Where | Mabel Mercer | F Major | 1 | 7B | 81 BPM | ||
| Satin Doll | Johnny Hodges & His Orchestra | D Major | 1 | 10B | 85 BPM | ||
| In A Mellow Tone - Vocal Version | Lambert, Hendricks & Ross | A♭ Major | 3 | 4B | 122 BPM | ||
| After The Rain | Rigmor Gustafsson | G Major | 3 | 9B | 100 BPM | ||
| You Brought a New Kind of Love | Robin Mckelle | D♭ Major | 3 | 3B | 106 BPM | ||
| A Mile Down the Highway | Shorty Rodgers and His Orchestra, The Giants | D♭ Major | 3 | 3B | 122 BPM | ||
| I Guess I'll Have To Change My Plan | Lester Young | G Minor | 1 | 6A | 69 BPM | ||
| Misty - Remastered | Dakota Staton | B Major | 0 | 1B | 119 BPM | ||
| Undecided | Erroll Garner | F Minor | 3 | 4A | 82 BPM | ||
| Sunny | Nancy Wilson, Jeff Rach | C Minor | 2 | 5A | 138 BPM | ||
| On A Slow Boat To China - Live | Ruth Cameron | E♭ Major | 2 | 5B | 71 BPM | ||
| It's A Most Unusual Day | June Christy | G Major | 2 | 9B | 142 BPM |