Johann Strauss II, Charles Mathews's ' "Graduation Ball: Romantic Girl" was released on its scheduled release date, November 27, 2016. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 20 in Female Variations, Vol. 1, Pt. 2 by Charles Mathews. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Graduation Ball: Romantic Girl is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Graduation Ball: Romantic Girl by Johann Strauss II, Charles Mathews is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wiener Blut (Vienna Blood), Op. 354 | Johann Strauss II, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 4 | 8B | 167 BPM | ||
| Verdi: Aida, Act 2: Triumphal March | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Major | 0 | 5B | 93 BPM | ||
| The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | A Major | 2 | 11B | 70 BPM | ||
| String Quintet in E Major, G. 275 (Op. 11/5): Minuet | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
| Vals del Emperador | Orquesta Concierto de Viena | C Major | 2 | 8B | 177 BPM | ||
| Die Göttin der Vernunft: Overture | Johann Strauss II, Veronika Groiss, Manfred Equiluz, Kirlianit Cortes, Franz Fodinger, Isabella Ma-Zach, Wolfgang Veith, Eva-Maria Kumpfmuller, Andreas Mittermeier, Nicolas Legoux, Vienna Private University Conservatory Students, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 110 BPM | ||
| Vals del Emperador Op. 437 | Gran Orquesta Vienesa | C Major | 2 | 8B | 68 BPM | ||
| The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
| Gold und Silber, Op. 79: Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | F Major | 0 | 7B | 81 BPM | ||
| Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 79 BPM | ||
| Friska from Hungarian Rhapsody No. 2 | Franz Liszt, Zubin Mehta, Israel Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabile | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 88 BPM | ||
| Annen-Polka | Johann Strauss Orchester | D Major | 1 | 10B | 147 BPM | ||
| Tales of Hoffmann - Barcarolle | Arthur Fiedler, Jacques Offenbach, Boston Pops Orchestra | B Minor | 3 | 10A | 78 BPM | ||
| España | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Hervé Niquet | F Major | 3 | 7B | 117 BPM | ||
| Noches de Viena | Orquesta Filarmonica de Rumania | D Major | 3 | 10B | 174 BPM | ||
| Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
| Dance Of The Comedians | Bedřich Smetana, Symphony Orchestra Of Canada, Stefanos Karabekos | C Major | 3 | 8B | 76 BPM | ||
| A Midsummer Night's Dream - Wedding March | Hollywood Symphony Orchestra | C Major | 2 | 8B | 144 BPM | ||
| Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | ||
| Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Concertgebouworkest, Bernard Haitink | C Major | 2 | 8B | 99 BPM | ||
| El Baile De Luis Alonso - Intermedio | English Chamber Orchestra | E Major | 2 | 12B | 116 BPM | ||
| On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | ||
| Carmen Suite No. 2: 2. Habanera | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Major | 0 | 10B | 134 BPM | ||
| Don Giovanni, K.527: Overture | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 129 BPM |