"Escape From Embassy" by John Powell had its release date on June 11, 2002. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "The Bourne Identity (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The popularity of Escape From Embassy is currently below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Escape From Embassy by John Powell having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Captain America | Henry Jackman | F Minor | 3 | 4A | 153 BPM | ||
| Praying | Rupert Gregson-Williams | A Minor | 4 | 8A | 83 BPM | ||
| Decepticons | Steve Jablonsky | D Major | 4 | 10B | 140 BPM | ||
| Meet the IMF | Joe Kraemer | A Minor | 1 | 8A | 90 BPM | ||
| Jason Is Reborn | John Powell | F♯ Major | 3 | 2B | 120 BPM | ||
| Multi-Axis Trainer | Justin Hurwitz | B Major | 2 | 1B | 122 BPM | ||
| Backfire - From “Spectre” Soundtrack | Thomas Newman | C Minor | 5 | 5A | 146 BPM | ||
| By Sea | Antonio Pinto | D Major | 6 | 10B | 89 BPM | ||
| John Wick Reckoning | Tyler Bates, Joel J. Richard | D Minor | 8 | 7A | 176 BPM | ||
| Decrypted | John Powell, David Buckley | D♭ Major | 3 | 3B | 106 BPM | ||
| Greeks are Winning | Junkie XL | D♭ Major | 4 | 3B | 80 BPM | ||
| Furious Angels - Instrumental | Rob Dougan | G Minor | 8 | 6A | 114 BPM | ||
| Xu Shang-Chi | Joel P West | A Minor | 7 | 8A | 87 BPM | ||
| The Mandalorian | Ludwig Göransson | F Minor | 4 | 4A | 166 BPM | ||
| FAST CARS - BONUS TRACK | Ludwig Göransson | D♭ Major | 9 | 3B | 147 BPM | ||
| History of Artemisia | Junkie XL | F Major | 9 | 7B | 80 BPM | ||
| New Digs | Thomas Newman | A Major | 4 | 11B | 100 BPM | ||
| Captain Marvel | Pinar Toprak | C Major | 5 | 8B | 105 BPM | ||
| Japanese Snow Castle | Jesper Kyd | A♭ Major | 2 | 4B | 90 BPM | ||
| The Bourne Identity Main Title | John Powell | G Major | 4 | 9B | 81 BPM | ||
| Valerie | Dario Marianelli | D♭ Major | 1 | 3B | 71 BPM | ||
| The Lineman In E-Flat Minor | Nicholas Britell | A♭ Major | 2 | 4B | 49 BPM | ||
| Factory Fight | Johnny Klimek, Tom Tykwer | B Major | 6 | 1B | 150 BPM | ||
| Ascending | Max Aruj, Alfie Godfrey | D♭ Major | 2 | 3B | 93 BPM | ||
| A Flight at the Opera | Joe Kraemer | E Minor | 3 | 9A | 141 BPM |