"The Days Between (From "Stepmom") - Instrumental" by John Williams, Christopher Parkening had its release date on 1998. This song is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Stepmom - Music from the Motion Picture". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. The Days Between (From "Stepmom") - Instrumental is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Days Between (From "Stepmom") - Instrumental by John Williams, Christopher Parkening having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shooting the Chutes | Mark Isham | D Major | 1 | 10B | 94 BPM | ||
| Karen's Letter | Edward Shearmur | G Major | 0 | 9B | 65 BPM | ||
| All Alone | JACK KAY | A Minor | 1 | 8A | 64 BPM | ||
| Scarlett In the Mist / Rhett Leaves | Max Steiner | F♯ Major | 3 | 2B | 84 BPM | ||
| Rose Garden | Adrian Johnston | E Major | 0 | 12B | 83 BPM | ||
| Bridge At Lacrosse | Randy Edelman | A Major | 0 | 11B | 66 BPM | ||
| The Goondocks (Goonies Theme) | Dave Grusin | A Major | 2 | 11B | 87 BPM | ||
| The Splendor in the Grass | Mark Isham | D Major | 1 | 10B | 94 BPM | ||
| Jim Prideaux | Alberto Iglesias | A Minor | 1 | 8A | 80 BPM | ||
| Always: Title Theme | John Williams, Boston Pops Orchestra | B Major | 0 | 1B | 68 BPM | ||
| Great Is Thy Faithfulness | Ian Mulder, Royal Philharmonic Orchestra | G Major | 0 | 9B | 51 BPM | ||
| New Memories | John Powell, Pete Anthony, The Hollywood Studio Symphony | D♭ Minor | 0 | 12A | 55 BPM | ||
| Life is Beautiful | City of Prague Orchestra, David Micheal Frank | A Major | 3 | 11B | 124 BPM | ||
| The People's House | John Williams, Chicago Symphony Orchestra | F♯ Major | 6 | 2B | 85 BPM | ||
| Wish I Could Spend The Day With You | Mychael Danna, Jeff Danna | E Major | 0 | 12B | 75 BPM | ||
| Tell Me Everything | John Ottman | G Minor | 2 | 6A | 51 BPM | ||
| A Homeward Bound Overture - Score Version | Bruce Broughton | C Major | 1 | 8B | 110 BPM | ||
| Suite for Cello and Orchestra (From "Memoirs of a Geisha"): Sayuri's Theme | Yo-Yo Ma, John Williams, Chicago Symphony Orchestra | G Minor | 1 | 6A | 89 BPM | ||
| Four Horsemen of the Apocalypse: Theme | André Previn, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Page 47 | Trevor Rabin | D Minor | 3 | 7A | 120 BPM | ||
| The 14th Amendment | W.G. Snuffy Walden | D Minor | 1 | 7A | 77 BPM | ||
| Divorce | Howard Shore | F Major | 0 | 7B | 78 BPM | ||
| "With Malice Toward None" | John Williams, Chicago Symphony Orchestra | F Major | 3 | 7B | 178 BPM | ||
| The Purpose of the Amendment | John Williams | G Major | 0 | 9B | 133 BPM | ||
| Crossroads | Randy Edelman | C Major | 1 | 8B | 131 BPM |