On June 30, 2001, the song "Sugar Daddy" was released by Paul Lenart, Larry Luddecke. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Sugar Daddy's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Lenart, Larry Luddecke, Billy Novick's "Motor City Grooves" album is number 7 out of 12. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Sugar Daddy's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sugar Daddy by Paul Lenart, Larry Luddecke to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alpha Centauri - Demo | Peter Ivers, Buell Neidlinger, Marty Krystall, Paul Lenart, Harold Mason | F Major | 4 | 7B | 106 BPM | ||
| Big Walter | Jean-Jacques Milteau | B Minor | 5 | 10A | 101 BPM | ||
| 'Fore Day Rider | Jay McShann | A♭ Major | 2 | 4B | 96 BPM | ||
| Buck's Boogie | Matt "Guitar" Murphy | A Minor | 6 | 8A | 115 BPM | ||
| Corrine Corrina | Chicago Red | D Major | 2 | 10B | 96 BPM | ||
| Strange Things Happen | Lazy Lester | C Major | 3 | 8B | 81 BPM | ||
| Frankie and Johnny | Paul Lenart, Billy Novick | F Minor | 4 | 4A | 118 BPM | ||
| Down in Harlem | Paul Lenart, Bill Novick, Billy Novick | B♭ Major | 1 | 6B | 104 BPM | ||
| Harry's Walks | Marco Bianchi Vibes 4tet | E♭ Major | 1 | 5B | 133 BPM | ||
| Christine | Big Walter Horton, Carey Bell | C Major | 5 | 8B | 115 BPM | ||
| So Long (for Jay P.) | Rick Estrin & The Nightcats | F Major | 6 | 7B | 136 BPM | ||
| Too Young To Die | Curtis Salgado, Alan Hager | D Major | 4 | 10B | 116 BPM | ||
| Searing Blues | Jean-Pierre Bertrand, Frank Muschalle, Dani Gugolz, Peter Müller | F Major | 3 | 7B | 125 BPM | ||
| Fine Little Angel (Take 1) | Lafayette Leake | F Major | 5 | 7B | 112 BPM | ||
| Blowin' Like Hell | William Clarke | F Major | 5 | 7B | 205 BPM | ||
| Behind the Sea | Chris Kramer, Jens Filser | G Major | 3 | 9B | 80 BPM | ||
| Low Down and Dirty | Matt "Guitar" Murphy | A Major | 5 | 11B | 107 BPM | ||
| Puddin' Pie | Ronnie EarlThe Broadcasters | E♭ Major | 8 | 5B | 99 BPM | ||
| Bayou Stomp | Manuel Galvin, Jean-Jacques Milteau | A Major | 4 | 11B | 77 BPM | ||
| Coal Black Mare | Snooky Pryor | C Major | 3 | 8B | 81 BPM | ||
| The Road Is So Long | Carey Bell, Lurrie Bell | A Major | 3 | 11B | 133 BPM | ||
| Country Blues | Amanda Ventura | A Major | 5 | 11B | 115 BPM | ||
| Peter Gunn | Pat Donohue | A Major | 3 | 11B | 122 BPM | ||
| The Upsetter | Rod Piazza | B Minor | 7 | 10A | 97 BPM | ||
| South Bay Beatdown | Gary Smith | C Major | 7 | 8B | 140 BPM |