On February 1, 1979, the song "Conscience Where Were You (When I Needed You Last Night)" was released by Moe Bandy. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Conscience Where Were You (When I Needed You Last Night)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Moe Bandy's "It's A Cheating Situation" album is number 4 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, Conscience Where Were You (When I Needed You Last Night)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Conscience Where Were You (When I Needed You Last Night) by Moe Bandy to be Vivace (lively and fast) because the track has a tempo of 159 BPM, a half-time of 80BPM, and a double-time of 318 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hank Williams, You Wrote My Life | Moe Bandy | D Major | 5 | 10B | 140 BPM | ||
| Someone To Give My Love To - Single Version | Tracy Byrd | A Major | 4 | 11B | 143 BPM | ||
| If You Can Live With It (I Can Live Without It) | Bill Anderson | G Major | 6 | 9B | 170 BPM | ||
| I Don't Want to Have to Marry You | Jim Ed Brown, Helen Cornelius | A Major | 3 | 11B | 78 BPM | ||
| You'll Be Back (Every Night In My Dreams) | The Statler Brothers | C Major | 5 | 8B | 162 BPM | ||
| Sittin' In An All Night Café | Warner Mack | F Major | 5 | 7B | 90 BPM | ||
| War Is Hell (On the Homefront Too) | T.G. Sheppard | F Major | 5 | 7B | 170 BPM | ||
| New Patches | Mel Tillis | B Major | 3 | 1B | 121 BPM | ||
| I Ain't Never | Mel Tillis | D Major | 5 | 10B | 131 BPM | ||
| Drinkin' Them Beers | Tompall & The Glaser Brothers | A Major | 4 | 11B | 75 BPM | ||
| Think I'll Go Somewhere And Cry Myself To Sleep | Charlie Louvin | E Major | 2 | 12B | 104 BPM | ||
| You Could Know As Much About A Stranger | Gene Watson | C Major | 4 | 8B | 140 BPM | ||
| Till I'm Too Old To Die Young / Lass mich so jung nicht geh'n | Tom Astor, Moe Bandy | E♭ Major | 4 | 5B | 88 BPM | ||
| Big River, Big Man | Claude King | E♭ Major | 4 | 5B | 151 BPM | ||
| Leaving Louisiana In The Broad Daylight | The Oak Ridge Boys | F Major | 6 | 7B | 96 BPM | ||
| Roll On Big Mama | Joe Stampley | A♭ Minor | 7 | 1A | 96 BPM | ||
| Houston (Means I'm One Day Closer To You) | Larry Gatlin & The Gatlin Brothers | B Minor | 5 | 10A | 149 BPM | ||
| Atlanta Blue | The Statlers | D Major | 2 | 10B | 132 BPM | ||
| This Old Hat | Ed Bruce | A Major | 5 | 11B | 87 BPM | ||
| A Lover's Question | Del Reeves | G Major | 5 | 9B | 202 BPM | ||
| Little Old Wine Drinker Me | Lefty Frizzell | G Major | 4 | 9B | 124 BPM | ||
| What Made Milwaukee Famous | Johnny Bush | A Major | 7 | 11B | 111 BPM | ||
| Country Girls | John Schneider | D Major | 3 | 10B | 105 BPM | ||
| Statue Of A Fool | Ricky Van Shelton | C Major | 2 | 8B | 112 BPM | ||
| Til I'm Too Old To Die Young | Moe Bandy | E♭ Major | 3 | 5B | 84 BPM |