Maura O'Connell's 'Trouble In the Fields' had a release date set for January 1, 1987. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Western Highway by Maura O'Connell. The song's track number on the album is #1 out of 11 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Trouble In the Fields's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Trouble In the Fields by Maura O'Connell has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Trouble In the Fields being at 131 BPM, the half-time would be 66 BPM with a double-time of 262 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When You Were Sweet Sixteen | Onóir | B♭ Major | 3 | 6B | 200 BPM | ||
| Dearest Friend And Only Lover | Tony Trischka, Maura O'Connell, Michael Daves | D♭ Minor | 2 | 12A | 107 BPM | ||
| The West's Awake | Lumiere | E Major | 3 | 12B | 83 BPM | ||
| Slán le Máigh | Muireann Nic Amhlaoibh | E♭ Major | 1 | 5B | 87 BPM | ||
| Penny To My Name (Time After Time) | Eva Cassidy | C Major | 2 | 8B | 129 BPM | ||
| The Banks of the Sweet Primroses | Seamus Begley, Damien Dempsey | E Major | 2 | 12B | 132 BPM | ||
| Oceans of Time | Paul Brady | D Major | 4 | 10B | 126 BPM | ||
| Cooraclare | Annmarie O'Riordan | D♭ Major | 1 | 3B | 82 BPM | ||
| Vanities | Mary Black | D♭ Major | 3 | 3B | 120 BPM | ||
| Down by the Sally Gardens | Maura O'Connell | G Major | 2 | 9B | 156 BPM | ||
| Somewhere Along The Road | Cathie Ryan | C Major | 1 | 8B | 125 BPM | ||
| The Girl in the Lavender Dress | Greenshine | D Major | 2 | 10B | 97 BPM | ||
| Gentle Annie | Kate McGarrigle, Anna McGarrigle | A Major | 2 | 11B | 118 BPM | ||
| Ashokan Farewell | Aly Bain, Jay Ungar | D Major | 3 | 10B | 84 BPM | ||
| Will the Circle be Unbroken | Michelle Wright, Iris DeMent, Mairéad Ní Mhaonaigh | D Major | 4 | 10B | 78 BPM | ||
| Let It Be | De Dannan | D Major | 1 | 10B | 124 BPM | ||
| John O'Dreams | Arcady | E Major | 1 | 12B | 115 BPM | ||
| He Moved Through the Fair | Sinéad O'Connor | D♭ Minor | 7 | 12A | 150 BPM | ||
| Just Another Town | Johnny Duhan | C Major | 3 | 8B | 94 BPM | ||
| Edward On Loch Erne's Shore | Lumiere | E Major | 1 | 12B | 94 BPM | ||
| The Curragh of Kildare | The Johnstons | E♭ Major | 3 | 5B | 116 BPM | ||
| You're The One | Shane MacGowan & Moya Brennan | D Major | 6 | 10B | 91 BPM | ||
| Poor Boy's Shoes | Declan O'Rourke | D Major | 4 | 10B | 86 BPM | ||
| You're Still the Only One | Frances Black | C Major | 2 | 8B | 101 BPM | ||
| West Coast of Clare | Andy Irvine, Lapd | D Minor | 3 | 7A | 139 BPM |