"High On Life" by SUNDAYS had its release date on May 10, 2024. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in SUNDAYS's "Giant Formula" album is number 6 out of 10. On top of that, Denmark appears to be the country where this track was created. In terms of popularity, High On Life is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of High On Life by SUNDAYS to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Were Young | Tay Oskee | A Major | 6 | 11B | 136 BPM | ||
| Sunday Night School Blues | Pilgrims, Paul Noonan, Brian Crosby | G Major | 3 | 9B | 115 BPM | ||
| Annie | Young in the City | E♭ Major | 4 | 5B | 172 BPM | ||
| Hotels and bars | 7 Days To Christmas, Rush Her With Love | G Major | 7 | 9B | 128 BPM | ||
| High Heels | The Grenadines | C Major | 4 | 8B | 95 BPM | ||
| I'll See You Again | The Wealthy West | E Major | 5 | 12B | 80 BPM | ||
| Going Back to Bowenville | Stu Larsen | D Minor | 3 | 7A | 143 BPM | ||
| Please Turn Over | Sean Kearns | A Major | 5 | 11B | 122 BPM | ||
| Brightest of Feathers | Jesse Marchant | B Major | 3 | 1B | 118 BPM | ||
| Underneath Your Wing | Ian Fisher | E Major | 4 | 12B | 142 BPM | ||
| You Left It Too Long | Christof van der Ven | F♯ Major | 4 | 2B | 136 BPM | ||
| What Would Have Happened | James Anto | F♯ Major | 7 | 2B | 154 BPM | ||
| Love What's Left | Awolk | E Minor | 7 | 9A | 76 BPM | ||
| Nightbirds | Luke Beling | A♭ Major | 4 | 4B | 99 BPM | ||
| Won't Change Time | James Douglas Cooper | C Major | 5 | 8B | 84 BPM | ||
| The Future Is Today | Mungo Parker | D Major | 5 | 10B | 88 BPM | ||
| Downtown (Vancouver Skyline) | Jonah Blacksmith | C Major | 7 | 8B | 152 BPM | ||
| Wait For Life | Matthew Brown | G Major | 3 | 9B | 115 BPM | ||
| Ruins | Zac Kellogg | G Major | 3 | 9B | 115 BPM | ||
| Telephone Lovers | David Ramirez | A♭ Major | 2 | 4B | 175 BPM | ||
| GED | Johnny Delaware | C Major | 6 | 8B | 120 BPM | ||
| Memories | Dreson | G Major | 3 | 9B | 115 BPM | ||
| Want You to Know | Maple & Rye | G Major | 3 | 9B | 115 BPM | ||
| My Never to Be Wife | Francis Lawrence | G Major | 3 | 9B | 115 BPM | ||
| The Fire | Victor Furbacken | G Major | 7 | 9B | 95 BPM |