Capture's 'Déjà Vu' had a release date set for December 18, 2012. Déjà Vu is considered explicit and may contain foul language. This song is about 3 minutes and 11 seconds, which is about the average length of a typical song. There are a total of 14 in the song's album "Til Death". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Déjà Vu's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Déjà Vu by Capture having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Deceiver | A Bullet for Pretty Boy | C Minor | 10 | 5A | 150 BPM | ||
| So Long, And Thanks For All The Fish | Everyone Dies In Utah | A♭ Major | 9 | 4B | 145 BPM | ||
| DJ | Skip The Foreplay | F♯ Major | 10 | 2B | 170 BPM | ||
| Part Of Something | Oceans Ate Alaska | G Major | 10 | 9B | 125 BPM | ||
| Prey For Me | The Color Morale | B♭ Minor | 10 | 3A | 175 BPM | ||
| Evil's Trick | Shoot the Girl First, Michael Swank | D Major | 9 | 10B | 95 BPM | ||
| Dry Spell | Myka, Relocate | D♭ Minor | 10 | 12A | 130 BPM | ||
| Lost Control | Capture | B♭ Minor | 10 | 3A | 141 BPM | ||
| In The Mouth of Madness (feat. Tyler Carter) | Nightmares, Tyler Carter | B Minor | 8 | 10A | 145 BPM | ||
| Learned Behavior | The Color Morale | A♭ Major | 10 | 4B | 140 BPM | ||
| You're Killing Me Smalls! | We Are Defiance | A♭ Major | 9 | 4B | 160 BPM | ||
| This Is the End | Through Arteries | B♭ Minor | 9 | 3A | 146 BPM | ||
| Sooner or Later | Confide | D♭ Major | 10 | 3B | 194 BPM | ||
| Same Graves | Storm The Sky | B♭ Minor | 10 | 3A | 200 BPM | ||
| Aggro | Spies Like Us | D♭ Major | 10 | 3B | 100 BPM | ||
| Pedestals | From Atlantis | D Major | 10 | 10B | 140 BPM | ||
| Insomniac | Capture | B♭ Major | 10 | 6B | 148 BPM | ||
| Personal Hell (Page 394) | Sirens And Sailors | D♭ Major | 10 | 3B | 112 BPM | ||
| Tighten It Up | Confide | C Major | 10 | 8B | 170 BPM | ||
| Directions | Above the Broken | A♭ Major | 10 | 4B | 145 BPM | ||
| The Amazing Atom | At The Skylines | D♭ Minor | 9 | 12A | 119 BPM | ||
| Cheaters Must Die | Hopes Die Last | G Major | 10 | 9B | 165 BPM | ||
| The Inevitable | Myka, Relocate | D♭ Major | 10 | 3B | 135 BPM | ||
| Blood Is Thicker Than Water | Upon This Dawning | A♭ Major | 10 | 4B | 145 BPM | ||
| Blinders | Adestria | D♭ Major | 9 | 3B | 135 BPM |