Julie Fuchs's 'Je te veux' had a release date set for November 21, 2025. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Julie Fuchs's "Je te veux" album is number 1 out of 25. On top of that, France appears to be the country where this track was created. The popularity of Je te veux is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Je te veux by Julie Fuchs to be Vivace (lively and fast) because the track has a tempo of 162 BPM, a half-time of 81BPM, and a double-time of 324 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM | ||
| La regina di Cipro: Allor ch'è a mezzo la notte bruna | Giovanni Pacini, Julie Fuchs, Orchestre national d'île-de-France, Enrique Mazzola | A♭ Major | 2 | 4B | 124 BPM | ||
| On s'aimera | Léo Ferré | F Minor | 3 | 4A | 136 BPM | ||
| Debussy: Pelléas et Mélisande, L. 88, Act 3: "Mes longs cheveux descendent" (Mélisande) | Claude Debussy, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 0 | 11B | 128 BPM | ||
| Oblivion | Anne Gastinel, Sandrine Piau, Violoncelles de l’Orchestre National de France | F Minor | 2 | 4A | 90 BPM | ||
| Maometto II, Act 3 Scene 5: Giusto Ciel (Arr. for Countertenor & String Quartet by Eric Mouret) | Gioachino Rossini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Violin Concerto In D Major, Op. 61 | Berliner Philharmoniker, Yehudi Menuhin & Festival Orchestra Lucerne | B♭ Major | 2 | 6B | 95 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
| Polifemo, HelN 31: Alto Giove - Arr. for Voice & Piano | Nicola Porpora, Théophile Alexandre, Guillaume Vincent | E♭ Minor | 1 | 2A | 71 BPM | ||
| Sérénade | Gustav Mahler, Julie Fuchs, Alphonse Cemin | D Major | 0 | 10B | 86 BPM | ||
| Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | ||
| Douce France | Charles Trenet, Anne Sofie von Otter, Bengt Forsberg | C Major | 2 | 8B | 120 BPM | ||
| Emily — No Prisoner Be: No. 7, Because I could not stop for Death | Kevin Puts, Time For Three, Joyce DiDonato | A♭ Major | 1 | 4B | 69 BPM | ||
| Avril au Portugal | Yvette Giraud | G Major | 0 | 9B | 85 BPM | ||
| Umebayashi: Lovers | Shigeru Umebayashi, Monroe | D Major | 4 | 10B | 149 BPM | ||
| Les Pêcheurs de perles, WD 13, Act II: Me voilà seule dans la nuit | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Julie Fuchs | F Major | 0 | 7B | 71 BPM | ||
| Hahn: Études latines: No. 2, Néère | Reynaldo Hahn, Lea Desandre, Thomas Dunford | D♭ Minor | 0 | 12A | 106 BPM | ||
| Pantomime | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | ||
| Les aventures du Roi Pausole - "Pardon, mon papa que j'adore": Pardon, mon papa que j'adore | Arthur Honegger, Julie Fuchs, Orchestre National de Lille, Samuel Jean | D Major | 1 | 10B | 112 BPM | ||
| Secrets Murmurés sur la Seine | Paris Love Songs – Chansons Françaises | A♭ Major | 1 | 4B | 69 BPM | ||
| Renaud, Acte I Scène 6: "Jeux folâtres, plaisirs charmants..." | Antonio Sacchini, Les Chantres du Centre de Musique Baroque de Versailles, Les Talens Lyriques, Christophe Rousset, Julie Fuchs | G Major | 1 | 9B | 99 BPM | ||
| Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM | ||
| Gounod: Faust, Act 3: "Un bouquet !" - Air des bijoux. "Dieu ! Que de bijoux !" (Marguerite) | Charles Gounod, Michel Plasson, Cheryl Studer, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Morgen, Op. 27, No. 4 | Richard Strauss, Barbara Bonney, Malcolm Martineau | G Major | 0 | 9B | 168 BPM | ||
| Mozart: Mitridate, rè di Ponto, K. 87, Act 2: "Io sposa di quel mostro" (Aspasia, Sifare) | Wolfgang Amadeus Mozart, Marc Minkowski, Elsa Dreisig, Julie Fuchs, Les Musiciens du Louvre | A Major | 1 | 11B | 94 BPM |