Track 265 - Das Spiel des Laren - Perry Rhodan - Silber Edition 87 by H.G. Francis, Ernst Vlcek, Clark Darlton, Andreas Laurenz Maier Song Details

H.G. Francis, Ernst Vlcek, Clark Darlton, Andreas Laurenz Maier's 'Track 265 - Das Spiel des Laren - Perry Rhodan - Silber Edition 87' had a release date set for August 6, 2014. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 21 out of 367 in Das Spiel des Laren [Perry Rhodan - Silber Edition 87 (Ungekürzt)] by Perry Rhodan Silber Edition, Perry Rhodan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Track 265 - Das Spiel des Laren - Perry Rhodan - Silber Edition 87 is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

The tempo marking of Track 265 - Das Spiel des Laren - Perry Rhodan - Silber Edition 87 by H.G. Francis, Ernst Vlcek, Clark Darlton, Andreas Laurenz Maier is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -15.883 dB
Acousticness: 80%
Danceability: 68%
Energy: 53%
Instrumentalness: 0%
Liveness: 19%
Loudness: 74%
Speechiness: 95%
Valence: 38%

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