"EVA" by Richard Blair-Oliphant had its release date on 2008. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. EVA's duration is considered a little bit shorter than the average duration of a typical track. This song is part of When We Left Earth: The NASA Missions (Original Television Soundtrack) by Richard Blair-Oliphant. The song's track number on the album is #3 out of 20 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of EVA is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since EVA by Richard Blair-Oliphant has a tempo of 178 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With EVA being at 178 BPM, the half-time would be 89 BPM with a double-time of 356 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Siempre Falta Algo | Bellum Sanctus | C Major | 2 | 8B | 88 BPM | ||
| My Way to Love You | Silviu Michaels, Sade | C Major | 3 | 8B | 110 BPM | ||
| The Choice is Ours | George Fenton | D Major | 1 | 10B | 74 BPM | ||
| Foresting | Matthijs Dierckx | E♭ Major | 1 | 5B | 70 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Borjomi | Andy Maranell, Andy Mardan | B♭ Minor | 4 | 3A | 105 BPM | ||
| Till the End | Stefan Kraft | F Minor | 2 | 4A | 50 BPM | ||
| Main Title & Opening Credits | Basil Poledouris | A Minor | 1 | 8A | 128 BPM | ||
| Hello, Beautiful | Stephen Barton, Frederik Wiedmann | C Major | 0 | 8B | 87 BPM | ||
| Rendimientos Exactos | Casualidades Del Destino | G Major | 1 | 9B | 61 BPM | ||
| A1C PJ Pitsenbarger (Main Theme) | Philip Klein | G Major | 2 | 9B | 66 BPM | ||
| Heart of the Forest | Joy Ngiaw | G Major | 1 | 9B | 170 BPM | ||
| The Throne | Batu Sener | G Minor | 1 | 6A | 78 BPM | ||
| Figli Del Sole | Sagrifizio | G Major | 5 | 9B | 110 BPM | ||
| Korgar | Koda Bark | F♯ Major | 5 | 2B | 131 BPM | ||
| Fukushima | Farid Ibazade, Pharoah | F♯ Major | 2 | 2B | 100 BPM | ||
| Anger and Apparition | Guy Farley | D Minor | 1 | 7A | 175 BPM | ||
| A Botepronto | Los Elocuentes | A Minor | 2 | 8A | 110 BPM | ||
| Rock Island, 1931 | Thomas Newman | E Minor | 2 | 9A | 140 BPM | ||
| The Legend Of Tarzan | Rupert Gregson-Williams | A Minor | 4 | 8A | 95 BPM | ||
| Waterfall | Ilan Eshkeri | B♭ Major | 5 | 6B | 157 BPM | ||
| Walter's Burial | Marc Streitenfeld | G Minor | 1 | 6A | 78 BPM | ||
| I Can't Hear You | Rupert Gregson-Williams | E Minor | 1 | 9A | 136 BPM | ||
| Extasis Imaginario | Ninfas De Ultramar | D♭ Major | 2 | 3B | 116 BPM | ||
| Welwala | Clinton Shorter | D Minor | 1 | 7A | 73 BPM |