Tom Herman, Rebecca Luker's ' "Hosanna" was released on its scheduled release date, January 1, 2008. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Tom Herman/Music for Voice". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Based on our statistics, Hosanna's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Hosanna by Tom Herman, Rebecca Luker having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Berlin: Annie Get Your Gun, Act I: My Defenses Are Down | Irving Berlin, Kim Criswell, London Sinfonietta, John McGlinn, Thomas Hampson | D♭ Minor | 3 | 12A | 116 BPM | ||
| Heavenward | Thomas Alan Herman, Cheon Sang-byeong, Tom Herman, Maggie Finnegan, Joel Harder | A Major | 0 | 11B | 166 BPM | ||
| Norma, Act 2 Scene 3: Deh! Non volerli vittime (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
| They Sit Together on the Porch | Thomas Alan Herman, Wendell Berry, Tom Herman, Maggie Finnegan, Joel Harder | A Major | 0 | 11B | 166 BPM | ||
| Suor Angelica: Laudata Maria! E sempre sia! | Giacomo Puccini, Elizabeth Gale, Hannah Francis, Della Jones, Dame Joan Sutherland, Isobel Buchanan, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM | ||
| Ave Maria by Gabriel Faurè | Carmen Schubert Sopran | A♭ Major | 1 | 4B | 76 BPM | ||
| Virgo Virginum | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | E Minor | 3 | 9A | 93 BPM | ||
| O Gentle Presence | Susan Mack, Ellen Hanna | E♭ Major | 3 | 5B | 90 BPM | ||
| Le nozze di Figaro, K. 492: "Porgi Amor" | Paris Faith Winter, Tammy L. Hall | E♭ Major | 0 | 5B | 139 BPM | ||
| Trois mélodies, Op. 8: No. 3, Ici-bas! | Dilyana Georgieva, Galina Apostolova | C Minor | 3 | 5A | 168 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 2: XIII. Softly and Gently "Angel's Farewell" | Edward Elgar, Karen Cargill, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | A Major | 0 | 11B | 166 BPM | ||
| Go To Hell World! | Sarah Dacey, Belinda Jones | F Minor | 0 | 4A | 66 BPM | ||
| Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | A Major | 0 | 11B | 166 BPM | ||
| The Eternal Road, Act III, the Kings, Scene 24 (cont.): Ruth and Boaz | Kurt Weill, Sigurd Brauns, Ted Christopher, Ian DeNolfo, Karl Dent, Constance Hauman, James Maddalena, Barbara Rearick, Vale Rideout, Manfred Roost, Hanna Wollschlager, Ernst Senff Chor Berlin, Berlin Radio Children's Choir, Rundfunk-Sinfonieorchester Ber | F Major | 2 | 7B | 127 BPM | ||
| Trial by Jury: All Hail, Great Judge! | Gilbert & Sullivan Society of Houston | G Major | 2 | 9B | 89 BPM | ||
| Chansons pour les oiseaux: No. 1, La colombe poignardée | Louis Beydts, Julie Roset, Susan Manoff | A Major | 0 | 11B | 166 BPM | ||
| Vilia from "The Merry Widow" | Franz Lehár, Anna Moffo, RCA Victor Orchestra, Skitch Henderson | C Major | 2 | 8B | 96 BPM | ||
| When Will We Learn | Tatiana Bookbinder | E Major | 0 | 12B | 121 BPM | ||
| Kuula : Suutelo, Op. 8 No. 1 (The Kiss) | Toivo Kuula, Kalevi Olli, Ritva Auvinen, Ulrich Koneffke | D♭ Major | 1 | 3B | 132 BPM | ||
| Love blows as the wind blows: III Fill a glass with golden wine | George Butterworth, Jonathan Lemalu, Belcea Quartet | F Major | 0 | 7B | 87 BPM | ||
| I Can Hear You Calling Me | Jerry Lynch | A Major | 2 | 11B | 111 BPM | ||
| Stranger In Paradise | Sierra Boggess, Julian Ovenden | G Minor | 3 | 6A | 94 BPM | ||
| Once I Thought... - Laurie's Song | Aaron Copland, Dawn Upshaw | E Minor | 0 | 9A | 98 BPM | ||
| Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | A Major | 0 | 11B | 166 BPM |