"Gladiator Suite: Part 3 - Live" by Hans Zimmer, The Disruptive Collective had its release date on March 3, 2023. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The track order of this song in Hans Zimmer's "LIVE" album is number 10 out of 31. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Gladiator Suite: Part 3 - Live's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Gladiator Suite: Part 3 - Live by Hans Zimmer, The Disruptive Collective to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Born To Be Wild | David Schweitzer | C Major | 2 | 8B | 86 BPM | ||
| Le grand Voyage | Mathieu Coupat | B♭ Major | 2 | 6B | 71 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 166 BPM | ||
| Adagio for Strings, Op. 11a | London Philharmonic Orchestra | B♭ Minor | 2 | 3A | 78 BPM | ||
| Le marchand de quenouilles | Puy du Fou, Nick Glennie-Smith | D Major | 2 | 10B | 62 BPM | ||
| Flying Over Africa | John Barry | D Minor | 3 | 7A | 93 BPM | ||
| Balder | Christian Reindl, Lucie Paradis | B Minor | 5 | 10A | 90 BPM | ||
| Our Reflection | Max Richter | E Minor | 1 | 9A | 120 BPM | ||
| David's Writings | Christopher Willis | D♭ Minor | 4 | 12A | 92 BPM | ||
| Dona Nobis Pacem 1 | Max Richter | F Major | 1 | 7B | 88 BPM | ||
| Main Title | Trevor Jones | D Minor | 3 | 7A | 93 BPM | ||
| A Small Measure of Peace | Hans Zimmer | D Minor | 1 | 7A | 172 BPM | ||
| Chevaliers De Sangreal - From The Da Vinci Code Original Motion Picture Soundtrack | Hans Zimmer, Richard Harvey | G Minor | 2 | 6A | 111 BPM | ||
| Leave You to It (Sleep Dearie Sleep) | Martin Phipps, The Chamber Orchestra Of London | D Minor | 0 | 7A | 75 BPM | ||
| La fuite d'un homme | Christophe Julien | G Minor | 6 | 6A | 169 BPM | ||
| C'est là | Olivier CASAS, Cyril MAURIN, Simon CASAS | A Minor | 0 | 8A | 84 BPM | ||
| Going Home (End Titles from “Master of the Air”) | Blake Neely | C Major | 1 | 8B | 76 BPM | ||
| The Shipyard | René Merkelbach | A♭ Major | 4 | 4B | 128 BPM | ||
| Sea Of Sand | Harald Kloser, Thomas Wander | D♭ Major | 4 | 3B | 82 BPM | ||
| And You Will Come | Anne Nikitin | F Minor | 1 | 4A | 123 BPM | ||
| Statues | Alexandre Desplat | D♭ Major | 2 | 3B | 129 BPM | ||
| Captain Becks | Anže Rozman, Camilo Forero | D Minor | 2 | 7A | 88 BPM | ||
| 10,000 BC/End Credits | Harald Kloser, Thomas Wander | E Minor | 5 | 9A | 84 BPM | ||
| Les Enfants de Dieu | Ludovico Einaudi | F♯ Minor | 2 | 11A | 127 BPM | ||
| Solo en Casa / La Llegada de Papá | Fernando Velázquez | A♭ Major | 1 | 4B | 78 BPM |