London Symphony Orchestra, John Georgiadis's ' "Radetzky March, Op. 228" was released on its scheduled release date, June 29, 2017. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Radetzky March, Op. 228's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 9 in Astrology & Zodiac Music - Aquarius by London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Based on our statistics, Radetzky March, Op. 228's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Radetzky March, Op. 228 by London Symphony Orchestra, John Georgiadis is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ancient Airs & Dances, Suite III, P. 172: III. Siciliana (Anonymous) | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Minor | 2 | 5A | 109 BPM | ||
| Watermusic | London Symphony Orchestra | F Major | 1 | 7B | 128 BPM | ||
| Maskerade-Suite: I. Waltz | Aram Khachaturian, Veronika Dudarova, Moscow Symphony Orchestra | G Major | 10 | 9B | 107 BPM | ||
| Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Il Pomo D'oro, Maxim Emelyanychev | C Major | 1 | 8B | 163 BPM | ||
| Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
| Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | G Minor | 1 | 6A | 123 BPM | ||
| Il Trovatore: "Anvil Chorus" (Live) | London Symphony Orchestra, The London Symphony Chorus, Barry Wordsworth | C Major | 3 | 8B | 135 BPM | ||
| Don Giovanni, K.527: Overture | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 129 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
| Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 | London Symphony Orchestra | G Major | 1 | 9B | 74 BPM | ||
| Masquerade (Suite): 1. Waltz - Excerpt | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 67 BPM | ||
| Carnival of the Animals: XIII. The Swan | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | G Major | 0 | 9B | 102 BPM | ||
| Giselle - Act 2: No. 15 Grand pas de deux: a) Andante | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | A♭ Major | 1 | 4B | 116 BPM | ||
| Capriccio Italiano, Op. 45 | London Symphony Orchestra, Philip Simms (Conductor) | A Major | 2 | 11B | 67 BPM | ||
| Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
| Also sprach Zarathustra, Op.30, TrV 176: Prelude (Sonnenaufgang) | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 72 BPM | ||
| The Imitation Game | Alexandre Desplat, London Symphony Orchestra | F Minor | 3 | 4A | 104 BPM | ||
| Palladio: I. Allegretto | Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra | D Minor | 3 | 7A | 90 BPM | ||
| Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic Orchestra, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
| Symphony No. 6: VI. Allegro | Howard Hanson, Helsinki Philharmonic Orchestra, Leif Segerstam | B♭ Minor | 3 | 3A | 66 BPM | ||
| Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | ||
| I'm Forrest... Forrest Gump | Alan Silvestri | F Major | 0 | 7B | 104 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
| Nocturne No. 2 in E-Flat Major, Op. 9 No. 2 | Frédéric Chopin, Daniel Barenboim | E♭ Major | 0 | 5B | 79 BPM | ||
| St. Paul's Suite, Op. 29 No. 2, H 118: 1. Jig: Vivace | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | C Major | 2 | 8B | 165 BPM |