"String Quartet in E Major, Hob.III:25, (Op. 17 No. 1): 2. Menuet" by Joseph Haydn, The Angeles String Quartet had its release date on January 1, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Joseph Haydn, The Angeles String Quartet's "Haydn: Complete String Quartets" album is number 10 out of 280. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, String Quartet in E Major, Hob.III:25, (Op. 17 No. 1): 2. Menuet is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet in E Major, Hob.III:25, (Op. 17 No. 1): 2. Menuet by Joseph Haydn, The Angeles String Quartet to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 143 BPM | ||
| Keyboard Sonata In B Flat Major, Op. 24, No. 2: II. Andante | Muzio Clementi, Balazs Szokolay | F Major | 1 | 7B | 123 BPM | ||
| I. Adagio ma non troppo | Fanny Mendelssohn, Minguet Quartett | D Major | 1 | 10B | 146 BPM | ||
| String Quintet in G Major, Op. 77: III. Poco andante | Antonín Dvořák, Berlin Philharmonic String Quintet | G Major | 1 | 9B | 135 BPM | ||
| Concerto grosso in B Minor, Op. 6 No. 12, HWV 330: II. Allegro | George Frideric Handel, Iona Brown, Academy of St. Martin in the Fields | B Minor | 2 | 10A | 120 BPM | ||
| Serenade in D Major, LMV VIII:9: VI. Adagio | Leopold Mozart, Fabrice Millischer, Bayerische Kammerphilharmonie, Reinhard Goebel | G Major | 1 | 9B | 100 BPM | ||
| Quintet in F Major for Bassett Horn and Strings, Op.9 / II.Adagio ma non troppo | Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel | B♭ Major | 0 | 6B | 88 BPM | ||
| Pavane | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Minor | 0 | 7A | 140 BPM | ||
| Miniatures, Op. 75a, B. 149: No. 1 in B-Flat Major, Cavatina. Moderato | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller | D Major | 3 | 10B | 85 BPM | ||
| Grand Overture in B-Flat Major, Op. 18, No. 2, W. G9: III. Presto | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | G Minor | 1 | 6A | 135 BPM | ||
| Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
| Sextet in E-Flat Major, Op. 81b: III. Rondo | Ludwig van Beethoven, János Keveházi, Jeno Kevehazi, Ildiko Hegyi, Peter Popa, Gyözö Máthé, Péter Szabó | E♭ Major | 1 | 5B | 134 BPM | ||
| Concerto No. 1 in C Major, Hob. VIIh:1 "Lyra organizzata" (Versions for Flute, Oboe & Orchestra): I. Allegro con spirito | Joseph Haydn, Ana de la Vega, Ramon Ortega Quero, TrondheimSolistene, Geir Inge Lotsberg | C Major | 1 | 8B | 75 BPM | ||
| Symphony in G Major, Eisen G8: II. Andante | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | E Minor | 2 | 9A | 120 BPM | ||
| Concerto grosso in G Major, Op. 6 No. 1, HWV 319: III. Adagio | George Frideric Handel, Iona Brown, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 96 BPM | ||
| Die Schöpfung Hob. XXI:2 / Erster Teil: 4. Chor mit Sopransolo: Mit Staunen sieht das Wunderwerk | Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 1 | 8B | 91 BPM | ||
| Symphony in D Major, Op. 3, No. 2: I. Presto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | A Major | 1 | 11B | 83 BPM | ||
| Atys, LWV 53: Ouverture | Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea | F Minor | 3 | 4A | 131 BPM | ||
| Symphony No. 6 in D Major, Hob. I:6 "Le Matin": 1. Adagio - Allegro | Joseph Haydn, Academy of St. Martin in the Fields, Sir Neville Marriner, Denis Vigay, Raymund Koster, Susan Milan, Graham Sheen, Iona Brown, Kenneth Sillito | D Major | 1 | 10B | 142 BPM | ||
| String Quartet In E Flat, Hob. III:38, Op.33 No.2: 4. Finale: Presto | Franz Joseph Haydn, Emerson String Quartet | E♭ Major | 1 | 5B | 140 BPM | ||
| Symphony in D Major, Op. 18, No. 2: IV. Allegro assai | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | E Major | 0 | 12B | 76 BPM | ||
| Concertino for Clarinet & Bassoon in B-Flat Major, Op. 47: II. Andante | Franz Danzi, Eduard Brunner, Klaus Thunemann, Munich Chamber Orchestra, Hans Stadlmair | B♭ Major | 0 | 6B | 84 BPM | ||
| Trout Quintet: Scherzo | Franz Schubert, Boris Berezovsky, Soloists of the Royal Opera House Orchestra, Covent Garden, Vasko Vassiliev, Andrew Staples, Christopher Vanderspar, Tony Hougham | E♭ Major | 0 | 5B | 75 BPM | ||
| Das Waldmädchen: No. 6, Allegretto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 2 | 10B | 139 BPM | ||
| Symphony in F Major, J-C 36: I. Presto | Giovanni Battista Sammartini, Milan Classical Chamber Orchestra, Roberto Gini | F Major | 1 | 7B | 75 BPM |