Robert Graves's ' "Chapter 92 - Goodbye to All That" was released on its scheduled release date, February 27, 2025. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Robert Graves's "Goodbye to All That" album is number 92 out of 274. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Chapter 92 - Goodbye to All That is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Chapter 92 - Goodbye to All That by Robert Graves to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Learn French for Beginners While Sleeping with Relaxing Rain Sounds: Greetings and Introductions, Pt. 1 | French Languagecast | D♭ Major | 2 | 3B | 86 BPM | ||
| When Ever | plantamez | F Major | 0 | 7B | 151 BPM | ||
| Third Hour Absolution & Conclusion | Coptic Hymns in English | D Major | 3 | 10B | 101 BPM | ||
| Words | Célia Johnson, Virginia Woolf | G Major | 1 | 9B | 95 BPM | ||
| The Secret of My Endurance | Charles Bukowski | D Minor | 4 | 7A | 100 BPM | ||
| The Ruined Maid | Various Artists | F Major | 4 | 7B | 122 BPM | ||
| 3 True Disturbing Fall Horror Stories - Part 5 | Mr. Nightmare | F♯ Major | 2 | 2B | 87 BPM | ||
| Jonah and the Great Fish | Riley Weber | B♭ Minor | 3 | 3A | 105 BPM | ||
| A Valediction - Forbidding Mourning | Richard Burton | E♭ Major | 2 | 5B | 131 BPM | ||
| Slaughterhouse 5, Pt. 4 | Kurt Vonnegut | B♭ Major | 1 | 6B | 120 BPM | ||
| True Rainy Night Horror Stories, Pt. 7 | Mr. Nightmare | A♭ Major | 3 | 4B | 125 BPM | ||
| Darien | Robert Graves | F Minor | 0 | 4A | 76 BPM | ||
| Twelfth Night, Act I Scene 1: If Music Be The Food Of Love, Play On... (Shakespeare) | Michael Sheen | F Major | 0 | 7B | 82 BPM | ||
| Esophageal Voice an Octave Lower | Harm A. Drost | F Major | 4 | 7B | 117 BPM | ||
| Ping Piano Brings Bad News | Childrens Corner | F Minor | 3 | 4A | 134 BPM | ||
| The Ten Commandments | Riley Weber | G Major | 5 | 9B | 55 BPM | ||
| Recognizing Presence Is Here | Eckhart Tolle | G Minor | 5 | 6A | 59 BPM | ||
| One Mother (with Steve Allen) | Jack Kerouac | D Minor | 1 | 7A | 83 BPM | ||
| Welsh Incident | Robert Graves | D♭ Major | 0 | 3B | 170 BPM | ||
| The Gettysburg Address | Orson Welles | B Major | 2 | 1B | 101 BPM | ||
| At Casterbridge Fair | Richard Burton | F♯ Major | 2 | 2B | 123 BPM | ||
| Long-Haired Boy | Shel Silverstein | D Major | 2 | 10B | 130 BPM | ||
| Yeshua reigns forever | WizVieve II | F♯ Minor | 3 | 11A | 48 BPM | ||
| The Unicorn Detective - Story | Riley Weber | B Major | 4 | 1B | 138 BPM | ||
| The Alien Idea | Spiritual Unfoldment with John Butler | A Major | 1 | 11B | 62 BPM |