"Meet Martin Riggs" by Eric Clapton, Michael Kamen had its release date on March 31, 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Lethal Weapon (Original Motion Picture Soundtrack)" album is number 3 out of 10. On top of that, United States appears to be the country where this track was created. Meet Martin Riggs is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Meet Martin Riggs by Eric Clapton, Michael Kamen to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Revenant Main Theme | Ryuichi Sakamoto | A Major | 2 | 11B | 73 BPM | ||
| Glowing Glimmer | Christopher Young | F♯ Major | 1 | 2B | 56 BPM | ||
| Franck Tries to Leave | Stanley Clarke | C Major | 4 | 8B | 122 BPM | ||
| Black Cloud | Steve Roach, Solitaire, Elmar Schulte | F Minor | 3 | 4A | 120 BPM | ||
| Leed's House - From "Manhunter" Soundtrack | The Reds | A Minor | 0 | 8A | 119 BPM | ||
| Care Package | Basil Poledouris | F Major | 0 | 7B | 83 BPM | ||
| Bonus Tracks 3 | Frank Harris | G Minor | 5 | 6A | 130 BPM | ||
| Postcards | Alexandre Desplat | A Minor | 1 | 8A | 84 BPM | ||
| The Orgy (Form "CONAN THE BARBARIAN") | Basil Poledouris | C Major | 5 | 8B | 160 BPM | ||
| end | deadmau5 | B♭ Major | 5 | 6B | 120 BPM | ||
| Shore: Finale | Howard Shore, Münchner Symphoniker | D Minor | 2 | 7A | 140 BPM | ||
| Remo Floats | Craig Safan | D Major | 1 | 10B | 136 BPM | ||
| Theme from Renegade | Mike Post | D Major | 5 | 10B | 110 BPM | ||
| Pickpockets | David Holmes | B♭ Minor | 6 | 3A | 99 BPM | ||
| Meeting Again | Alexandre Desplat | C Minor | 1 | 5A | 120 BPM | ||
| Theme from Taxi Driver - Reprise | Bernard Herrmann, Dave Blume | D Minor | 5 | 7A | 158 BPM | ||
| YOUR INCREDIBLE MILE (ユア・インクレイディブル・マイル) | Bill Conti | C Major | 0 | 8B | 70 BPM | ||
| Rain Forever | Graeme Revell | E♭ Major | 1 | 5B | 82 BPM | ||
| Escape from New York | John Carpenter | A Major | 6 | 11B | 160 BPM | ||
| Training Montage - From "Rocky IV" Soundtrack | Vince DiCola | B Minor | 8 | 10A | 81 BPM | ||
| The New Godfather | Nino Rota, Carlo Savina | E Minor | 1 | 9A | 53 BPM | ||
| Advanced Training | Paul Hertzog | A Major | 6 | 11B | 97 BPM | ||
| God Moving Over the Face of the Waters | Moby | D Major | 4 | 10B | 101 BPM | ||
| White House | Volker Bertelmann | C Minor | 1 | 5A | 125 BPM | ||
| Our Gang Goes To Cyberdyne - Remastered 2017 | Brad Fiedel | E♭ Major | 3 | 5B | 120 BPM |