On October 13, 2025, the song "Yo Chori Ko Rupai Ramro" was released by Shreya Sotang. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Yo Chori Ko Rupai Ramro only contains only one song in the album, we like to consider this song as a single. In terms of popularity, Yo Chori Ko Rupai Ramro is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Yo Chori Ko Rupai Ramro by Shreya Sotang has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Yo Chori Ko Rupai Ramro being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rahar Chha Sangai (From "Captain") | Sugam Pokharel, Anju Panta, Arjun Pokharel | C Major | 7 | 8B | 82 BPM | ||
| Maili | Ankita Pun | B♭ Minor | 7 | 3A | 85 BPM | ||
| Saino साइनो (Official Audio) | Bakemono Gurung | B♭ Major | 1 | 6B | 76 BPM | ||
| Maya Naujale | Dinesh Dhakal | B♭ Major | 6 | 6B | 172 BPM | ||
| Najar Ma Najar | Nima Raya, Prashamsa Shrestha | E Major | 7 | 12B | 91 BPM | ||
| Timi Uta Ma Yeta | Milan Newar, Rajan Raj Shiwakoti | D Major | 8 | 10B | 140 BPM | ||
| Tutnu Thiyo Tutyo Mutu | Sudip Giri | F Minor | 6 | 4A | 106 BPM | ||
| Bhanchhan Kohi Jindagani | Shila Bahadur Moktan, Kunti Moktan | D♭ Major | 5 | 3B | 77 BPM | ||
| A Mai Re | Kuma Sagar | B♭ Major | 4 | 6B | 176 BPM | ||
| Aankha Aankha Boleni | Deepak Limbu, Anju Panta | G Major | 6 | 9B | 107 BPM | ||
| Meri Hajura | Sristi Music | E Major | 9 | 12B | 155 BPM | ||
| Bhuisori Dhoge Hai Solti | Sunita Thegim, Srijana Ningleku | E Major | 5 | 12B | 150 BPM | ||
| Sadhai Sadhai | Mantra | A Major | 6 | 11B | 132 BPM | ||
| Sajha Ko Bela | Trishna Gurung | A Major | 5 | 11B | 156 BPM | ||
| Chhitko Gunyeu | Ram Krishna Dhakal | C Major | 6 | 8B | 174 BPM | ||
| Deusire | Tanka Budathoki | A Major | 8 | 11B | 152 BPM | ||
| Aasare Mahinama | Ajay Singh, Prashant Tamang | A Minor | 6 | 8A | 80 BPM | ||
| Mutu Mae Basecha - Female Version | Brijesh Shrestha, Samikshya Adhikari | E♭ Major | 3 | 5B | 130 BPM | ||
| Sa Karnali | Nepathya | G Major | 7 | 9B | 132 BPM | ||
| Bhikhaari | Oasis Thapa | E♭ Major | 2 | 5B | 130 BPM | ||
| Simsime Paanima Rmx | Rekha Shah | B Minor | 8 | 10A | 106 BPM | ||
| Machhile Khane Kholi Ko Leu | Saroj Oli, Melina Rai | D♭ Major | 9 | 3B | 92 BPM | ||
| Ek Kaan Dui Kaan Maidan | Melina Rai, Aashish Sachin | D♭ Major | 9 | 3B | 115 BPM | ||
| Halla Chalechha | Raju Lama | A Major | 9 | 11B | 154 BPM | ||
| Sare Sare (From "Bir Bikram") | Tara Prakash Limbu, Dipa Lama | A♭ Major | 5 | 4B | 76 BPM |