On December 17, 2025, the song "Omkaara Roopa (From "Abhishekam")" was released by Parupalli Ranganath. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 10 in Ayyappa Telugu Devotional Songs By Parupalli Ranganath Vol-4 by Parupalli Ranganath, Parupalli Satyanarayana. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Omkaara Roopa (From "Abhishekam")'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Omkaara Roopa (From "Abhishekam") by Parupalli Ranganath is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jagatiki Moolamu | Parupalli Ranganath | G Major | 5 | 9B | 148 BPM | ||
| Namaa Meesa | S. P. Balasubrahmanyam, Ramu | D♭ Major | 5 | 3B | 144 BPM | ||
| Anduko Harati | Kalluri Muralikrishna | F Major | 4 | 7B | 150 BPM | ||
| Kandu Kandu Neeyenna | Dr.Rajkumar | F♯ Major | 6 | 2B | 94 BPM | ||
| Dhinolla Bhrovamaya | Vani Jairam | A♭ Major | 6 | 4B | 97 BPM | ||
| Yereethi Neekeerthi | B. Varalakshmi | C Minor | 5 | 5A | 99 BPM | ||
| Daaridrya Danastuthi | S.P. Balu | F Major | 4 | 7B | 124 BPM | ||
| Sendhamarai | Bombay Saradha | C Minor | 4 | 5A | 120 BPM | ||
| Chooda Chakkani | Prasad | C Minor | 5 | 5A | 100 BPM | ||
| Omkaara Roopini | Keerti Kumar Badseshi | F Major | 7 | 7B | 101 BPM | ||
| Pidikita Talambrala | Padmaja Srinivas | G Major | 5 | 9B | 151 BPM | ||
| Evale Veena Paani | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Soumya | F Minor | 3 | 4A | 99 BPM | ||
| Sri Lalitha Prathah Sharanam | Padmaja Srinivas | D♭ Major | 9 | 3B | 131 BPM | ||
| PALLE PALLELLONA VELASINA | JADALA RAMESH | F Minor | 7 | 4A | 165 BPM | ||
| Rojappoo (Malar Padal) | Meera Krishna | A Major | 3 | 11B | 71 BPM | ||
| Mayamma Kadali | Parupalli Ranganath | G Major | 9 | 9B | 72 BPM | ||
| Kalaya Vaishnava Maayayaa | Nihal Konduri | A Minor | 5 | 8A | 85 BPM | ||
| Shabiri Girisa Ayyappa | Partha Saradhi | F Minor | 5 | 4A | 102 BPM | ||
| Aayiram Kankalil Akilathai Kakkum | REGI ANAND, P.P. Venkateswaran | D Major | 9 | 10B | 143 BPM | ||
| Siva Tandavam - Ragamalika | Gopalakrishna | F Major | 4 | 7B | 115 BPM | ||
| Thunga Theeradi | Narashima Naik, Purandara Dasaru | D♭ Major | 6 | 3B | 156 BPM | ||
| Nithyanandakari (From "Om Sakthi Om Om Sakthi Om") | Ramana | F Major | 5 | 7B | 140 BPM | ||
| Sai ani pilichinanta | Harini | G Major | 5 | 9B | 126 BPM | ||
| Jai Anjaneya | Partha Sarathi | E Major | 8 | 12B | 94 BPM | ||
| Ade Dwaraka | Jagadiswari Murthy, Pavan, Sireesha Bhagavatula | F Major | 6 | 7B | 81 BPM |