Bhimsen Joshi's ' "Rasika Gavoo Konate Geet" was released on its scheduled release date, December 31, 1959. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Rasika Gavoo Konate Geet's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Pativrata". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Rasika Gavoo Konate Geet is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Rasika Gavoo Konate Geet by Bhimsen Joshi having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Roop Tujh Lai Chhan Ga | Mahendra Kapoor, Shaila Chikhale | G Minor | 8 | 6A | 117 BPM | ||
| Sakhar Zopemadhi Mee Asata | Dada Kondke, Usha Chavan | D Major | 5 | 10B | 87 BPM | ||
| Jai Jai Ganapayya | Parupalli Ranganath | A♭ Minor | 6 | 1A | 80 BPM | ||
| Pandharicha Raja Ubha | Bhimsen Joshi | G Major | 5 | 9B | 81 BPM | ||
| Kande Naa Kande | P. B. Sreenivas | E Major | 4 | 12B | 114 BPM | ||
| Kshanbhar Ughad Nyan Deva | Manik Varma | E♭ Major | 6 | 5B | 77 BPM | ||
| Kashi Jhokath Chalali | Asha Bhosle | B Major | 4 | 1B | 92 BPM | ||
| Jevha Tichi Ni Mazi | Arun Date | D♭ Major | 2 | 3B | 116 BPM | ||
| Thamb Ga Pori | Mahendra Kapoor, Usha Mangeshkar | F♯ Major | 8 | 2B | 90 BPM | ||
| Lakshmeem Ksheera | M. S. Rama Rao | F♯ Major | 3 | 2B | 130 BPM | ||
| Chal Uth Re Mukunda | Suman Kalyanpur | D Major | 10 | 10B | 138 BPM | ||
| Bai Gela Mohan Kuni Kade | Asha Bhosle | G Minor | 1 | 6A | 127 BPM | ||
| Aga Pori Sambhal | Mohammed Rafi, Pushpa Pagdhare | A♭ Major | 7 | 4B | 91 BPM | ||
| Geet Hooun Aale | Suresh Wadkar, Varsha Bhosle | G Major | 7 | 9B | 101 BPM | ||
| Saang Kaamini Sakhe Saajni | Asha Bhosle, Suresh Wadkar | F♯ Major | 10 | 2B | 180 BPM | ||
| Roop Pahata Lochani | Baba Maharaj Satarkar | D Major | 6 | 10B | 79 BPM | ||
| Dolyamadhale Aansoo Pusati | Sudhir Phadke | F♯ Minor | 2 | 11A | 168 BPM | ||
| Vilopale Madhu Milanataya | Prabhakar Karekar | G Minor | 6 | 6A | 101 BPM | ||
| Tumi Aar Ami Sudhu | Shyamal Mitra | D♭ Major | 2 | 3B | 169 BPM | ||
| Aamha Ghari Dhan Shabdancheech Ratne | Bhimsen Joshi | E♭ Minor | 5 | 2A | 82 BPM | ||
| Tuka Aakasha Evadha | Bhimsen Joshi | E Major | 5 | 12B | 102 BPM | ||
| Aasaar Aasaa Bhabe Aasaa | Pannalal Bhattacharya | B Minor | 6 | 10A | 120 BPM | ||
| Kulpachi Chavi | Pushpa Pagdhare | F♯ Major | 8 | 2B | 88 BPM | ||
| Vatevar Kate Vechit Chalalo 1975 | Vasantrao Deshpande | F♯ Major | 3 | 2B | 97 BPM | ||
| Vadivarlya Vata | Ravindra, Chandrakant Kale | D Minor | 8 | 7A | 184 BPM |