The Trigger Code's 'Bloodshot In Blue' had a release date set for July 8, 2016. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 8 in Fathers And Sons by The Trigger Code. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Bloodshot In Blue's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bloodshot In Blue by The Trigger Code is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Heartbroken, In Disrepair | Dan Auerbach | F Minor | 9 | 4A | 78 BPM | ||
| Pray for Lil | King Khan and the Shrines | D Major | 4 | 10B | 177 BPM | ||
| Take My Heart Away | The Trigger Code | G Major | 4 | 9B | 86 BPM | ||
| All Gone | Robert Eacey | A Major | 6 | 11B | 65 BPM | ||
| Use Me | Beans & Fatback | B Minor | 7 | 10A | 79 BPM | ||
| Feelin' Good | The Stevenson Ranch Davidians | B Major | 6 | 1B | 78 BPM | ||
| She's a Guillotine | The Blood Arm | E Major | 8 | 12B | 157 BPM | ||
| Mischief Night | The Young Werewolves | E♭ Major | 9 | 5B | 155 BPM | ||
| Doing It Right | The Yawpers | A Major | 5 | 11B | 83 BPM | ||
| Jesus For The Jugular | The Veils | B Minor | 7 | 10A | 141 BPM | ||
| Brass Tacks | Not In The Face | D♭ Minor | 8 | 12A | 89 BPM | ||
| My Own Mind | Pale Seas | D♭ Minor | 9 | 12A | 120 BPM | ||
| Old Man | No Money Kids | D Major | 7 | 10B | 108 BPM | ||
| Leaving Woman | The Trigger Code | E Major | 5 | 12B | 142 BPM | ||
| Everybody Got to Fall Down | Jake La Botz | A Major | 7 | 11B | 132 BPM | ||
| Artifice | Rare Monk | D Minor | 8 | 7A | 91 BPM | ||
| Mad World | Born Rivals | F Minor | 9 | 4A | 87 BPM | ||
| Same As Me | Street Joy | G Major | 4 | 9B | 112 BPM | ||
| Alabama Coldcock | Black Pistol Fire | A Minor | 10 | 8A | 93 BPM | ||
| Skulldiggin | Black Joe Lewis | A♭ Major | 8 | 4B | 185 BPM | ||
| Daggers | Paul Cary & the Small Scarys | A Major | 7 | 11B | 84 BPM | ||
| Shame | Bad Bad Hats | F Major | 9 | 7B | 153 BPM | ||
| Nothing but a Fight | The Palace Steps | A Major | 4 | 11B | 87 BPM | ||
| River May Come | Wild Yaks | G Major | 7 | 9B | 126 BPM | ||
| Hoboland | Black Casino and the Ghost | G Major | 7 | 9B | 90 BPM |