"BtS: Metal - Brute Justice Mode" by THE PRIMALS had its release date on September 14, 2022. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "THE PRIMALS Live in Japan - Beyond the Shadow". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Japan. Based on our statistics, BtS: Metal - Brute Justice Mode's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With BtS: Metal - Brute Justice Mode by THE PRIMALS having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Takes Me Anywhere | Shoi Miyazawa | D Major | 9 | 10B | 91 BPM | ||
| Find the Flame #SQkawaii Sounds | 今村 貴文, SQUARE ENIX MUSIC | F Minor | 9 | 4A | 112 BPM | ||
| Blu-bird - Hansel und Gretel | SQUARE ENIX MUSIC | A♭ Major | 10 | 4B | 154 BPM | ||
| The Sunleth Waterscape | Masashi Hamauzu | A Minor | 7 | 8A | 132 BPM | ||
| Shout your soul | テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | E Minor | 9 | 9A | 118 BPM | ||
| Band: Return to Oblivion | THE PRIMALS | D Minor | 9 | 7A | 135 BPM | ||
| BtS: メタル ~機工城アレキサンダー:起動編~ | THE PRIMALS | B♭ Minor | 9 | 3A | 140 BPM | ||
| ”The Man with the Machine Gun” from FINAL FANTASY VIII - Arrangement | 石元丈晴 | F♯ Minor | 9 | 11A | 140 BPM | ||
| Unseen Intruder - Aggressive Mix | Aimee Blackschleger | B♭ Minor | 9 | 3A | 173 BPM | ||
| Master of Power | Yasunori Nishiki | D Minor | 7 | 7A | 82 BPM | ||
| Existence | nana hatori, Tsutomu Narita | G Minor | 8 | 6A | 108 BPM | ||
| Spark from DISSIDIA FINAL FANTASY OPERA OMNIA | Takeharu Ishimoto | E Minor | 9 | 9A | 150 BPM | ||
| Childish killer | Mary Dale Sanchez | E Major | 9 | 12B | 155 BPM | ||
| Zero | Tsutomu Narita | G Minor | 5 | 6A | 112 BPM | ||
| Band: Close in the Distance | THE PRIMALS | G Major | 6 | 9B | 170 BPM | ||
| 全ての人の魂の戦い | 小宮知子 | B Minor | 9 | 10A | 150 BPM | ||
| Heat Haze Shadow | Nami Nakagawa, TEKKEN Project, Bandai Namco Game Music | G Major | 10 | 9B | 174 BPM | ||
| Band:Oblivion | THE PRIMALS | D Major | 10 | 10B | 150 BPM | ||
| 「ノーマルバトル - arrange -」 from FINAL FANTASY Ⅹ | 河盛慶次 | D♭ Minor | 10 | 12A | 190 BPM | ||
| Song of the Ancients / Fate | SQUARE ENIX MUSIC | C Minor | 8 | 5A | 128 BPM | ||
| Om And On | Alex Moukala | B Minor | 9 | 10A | 135 BPM | ||
| Morning Light Hymnus | Tsutomu Narita | D Minor | 7 | 7A | 176 BPM | ||
| The Ultimate | Stella Magna | E Minor | 10 | 9A | 144 BPM | ||
| VERSUSIA | 河瀬茉希, Tsutomu Narita | E Minor | 7 | 9A | 176 BPM | ||
| Days | FreQuency | B Minor | 9 | 10A | 135 BPM |