"Seduction" by Rafaelos Christofi, Otto Rissanen had its release date on April 8, 2022. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Seduction's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 4 in CAPTCHA (Original Motion Picture Soundtrack) by Rafaelos Christofi. Based on our statistics, Seduction's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Seduction by Rafaelos Christofi, Otto Rissanen is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tirupati Temple | Ludovico Einaudi | F♯ Minor | 1 | 11A | 93 BPM | ||
| A Song for the Sea | Lauri Porra, Mumintrollen | C Minor | 0 | 5A | 53 BPM | ||
| My Scary Nightmare | PRAMAN AR | D♭ Major | 2 | 3B | 67 BPM | ||
| The Mystic | Celestial Aeon Project | G Major | 1 | 9B | 84 BPM | ||
| The Book and the Canal | Calexico | F♯ Minor | 3 | 11A | 121 BPM | ||
| The Pulpit | Hannah Peel | E♭ Minor | 1 | 2A | 121 BPM | ||
| It Wasn't Always Like This | Hoshiko Yamane, Library Tapes | A Minor | 1 | 8A | 78 BPM | ||
| The Emergence | Vincent Diamante | E♭ Major | 0 | 5B | 72 BPM | ||
| Dawn | Tai Tomisawa | A Major | 6 | 11B | 167 BPM | ||
| Hilton | Alexandre Desplat | C Major | 1 | 8B | 76 BPM | ||
| A Bird | Austin Wintory | A Minor | 2 | 8A | 100 BPM | ||
| We'll Be Together Again | rose noise | F Minor | 3 | 4A | 115 BPM | ||
| Up and Down | Bloomypetal, Richard Houghten | B Major | 2 | 1B | 79 BPM | ||
| Chaos Echoes | Sophism, Isabella LeVan | D♭ Major | 0 | 3B | 138 BPM | ||
| To Dogma | Rafaelos Christofi | D Major | 1 | 10B | 65 BPM | ||
| 交わりの峰 スージャ (夜) | YUKO KOMIYAMA | D Major | 1 | 10B | 144 BPM | ||
| A Spring Morning | Jim Perkins, Brother Tree Sound | B Minor | 2 | 10A | 140 BPM | ||
| Calm - Original Mix | Elara Lilara | B♭ Major | 2 | 6B | 82 BPM | ||
| Partisans | Ólafur Arnalds | C Minor | 0 | 5A | 76 BPM | ||
| January 31, 2018: Super Blue Blood Moon | Sleeping At Last | C Major | 2 | 8B | 81 BPM | ||
| Spare | Luke Howard | D♭ Minor | 1 | 12A | 63 BPM | ||
| Something Beyond | Vincent Diamante | G Minor | 0 | 6A | 145 BPM | ||
| To the Monsters We're the Monsters | Dan Romer | A Minor | 3 | 8A | 65 BPM | ||
| Dracula's Room | Yoann Laulan, Konami Kukeiha Club | A Minor | 2 | 8A | 128 BPM | ||
| Making Sense of War | Volker Bertelmann | G Minor | 2 | 6A | 85 BPM |