"Producing for a While (Version for Soprano & Sextet)" by David Dzubay, Voices Of Change, Rainelle Krause had its release date on October 25, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 21 in All Water Has a Perfect Memory by David Dzubay, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Producing for a While (Version for Soprano & Sextet)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Producing for a While (Version for Soprano & Sextet) by David Dzubay, Voices Of Change, Rainelle Krause is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lincolnshire Posy: I. Lisbon | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| Wind & Earth | Simon Zöchbauer, Federspiel | A Minor | 0 | 8A | 148 BPM | ||
| Bass Tuba Concerto in F Minor: III. Finale. Rondo all tedesca: Allegro | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | D♭ Major | 2 | 3B | 76 BPM | ||
| Strangers: A Chamber Ballet About Immigration - No. 2, Pt. I. Tale of the Cats (Opening) | Brian Dean Morales, Devin Hinzo, Ian Morin, Kimberly Zaleski, Robert Davis, Torrel Moss, Van Parker | A Minor | 0 | 8A | 148 BPM | ||
| Suite for 13 Wind Instruments in B flat major, Op. 4: I. Praeludium | Richard Strauss, François Leleux | B♭ Major | 0 | 6B | 127 BPM | ||
| Brian: Symphony No. 7 in C Major: I. Allegro moderato | Havergal Brian, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | A Minor | 0 | 8A | 148 BPM | ||
| Trombone Concerto in B-Flat Major: I. Allegro vivace | Nikolai Rimsky-Korsakov, Christian Lindberg, Tapiola Sinfonietta, Osmo Vänskä | C Minor | 0 | 5A | 72 BPM | ||
| Di/Con(ver(gence/sions): II. Interlude No. 1 - Machination | David Dzubay, Andrew J. Allen, Matthew Tracy, Gregory Dewhirst, Andy Wright | F Major | 1 | 7B | 108 BPM | ||
| Violin Concerto: II. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | G Minor | 2 | 6A | 94 BPM | ||
| GOA III | R.Kuhn, Rüdiger Edgar Kuhn | D Minor | 3 | 7A | 80 BPM | ||
| Symphony of Marches | Gilbert Vinter, Sørum Musikklag, Henrik Dagstad-Dalhaug | A♭ Major | 3 | 4B | 114 BPM | ||
| English Dances, Set 1, Op. 27 (Arr M. Johnstone): I. Andantino | Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin | C Minor | 3 | 5A | 100 BPM | ||
| Yiddish Dances: III. Doina. Meno mosso, rubato | Adam Gorb, Royal Northern College Of Music Wind Orchestra, Clark Rundell | D Major | 0 | 10B | 113 BPM | ||
| Sonatina for Horn and Piano Op.56 - II. Minuet: Andantino | Ben Goldscheider, Huw Watkins | A Major | 1 | 11B | 112 BPM | ||
| Tuba Concerto: III. Allegro giocoso | Edward Gregson, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | G Minor | 2 | 6A | 66 BPM | ||
| Peter Grimes, Op. 33 / Act 1: Interlude II: The Storm | Benjamin Britten, Elizabeth Bainbridge, Patricia Payne, Jonathan Summers, John Dobson, Teresa Cahill, Anne Pashley, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Minor | 4 | 9A | 76 BPM | ||
| Symphony No. 1, Op. 9: III. Andante tranquillo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | B♭ Major | 3 | 6B | 93 BPM | ||
| Le tombeau de Couperin, M. 68: IV. Rigaudon (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | A Minor | 0 | 8A | 148 BPM | ||
| Dance Movements: IV. Molto Ritmico | Philip Sparke, North Texas Wind Symphony, Eugene Migliaro Corporon | E♭ Major | 3 | 5B | 141 BPM | ||
| Incantation | David Dzubay, University of Texas at El Paso Wind Symphony, Bradley Genevro | A Minor | 2 | 8A | 71 BPM | ||
| Dona nobis pacem: Dirge for 2 Veterans | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | F Major | 2 | 7B | 88 BPM | ||
| Wine-Dark Sea: II. Immortal Thread, So Weak | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | C Major | 0 | 8B | 135 BPM | ||
| El Olimpo de los Dioses: IV. Poseidon | Oscar Navarro, N/A, Royal Symphonic Band of the Belgian Guides, Yves Segers | C Major | 1 | 8B | 127 BPM | ||
| Falla: El sombrero de tres picos, Pt. 2: Danza final | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 148 BPM | ||
| Storm | Stephan Schutze, Melbourne Symphony | A Major | 2 | 11B | 117 BPM |