"Neverwas Set" by Philip Glass, Michael Riesman had its release date on November 11, 2008. This song is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Philip Glass Soundtracks". In this album, this song's track order is #4. Based on our statistics, Neverwas Set's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Neverwas Set by Philip Glass, Michael Riesman having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Feathers | Poppy Ackroyd | B♭ Minor | 1 | 3A | 95 BPM | ||
| Plan & Elevation: V. The Beech Tree | Caroline Shaw, Attacca Quartet | G Major | 2 | 9B | 117 BPM | ||
| I. Three Parallels: 1 | Peter Gregson, Carducci String Quartet | D Major | 2 | 10B | 116 BPM | ||
| Shadow Land, Pt. 1 | Federico Albanese | F Minor | 1 | 4A | 123 BPM | ||
| China Gates | John Adams, Anthony Romaniuk | B Minor | 7 | 10A | 115 BPM | ||
| Violin Concerto No. 1 (1987) Movement III | Philip Glass, Renaud Capuçon, Dennis Russell Davis, Bruckner Orchester Linz | D Minor | 3 | 7A | 90 BPM | ||
| Love's Illusion | Larry Gilmour | G Minor | 1 | 6A | 74 BPM | ||
| Gnossienne No. 3 | Erik Satie, Kai Schumacher | A Minor | 0 | 8A | 69 BPM | ||
| Seven Days Walking / Day 5: Low Mist Var. 1 | Ludovico Einaudi, Federico Mecozzi, Redi Hasa | A Minor | 1 | 8A | 88 BPM | ||
| The Last Farm 4 | Kjartan Sveinsson | G Major | 3 | 9B | 153 BPM | ||
| Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
| Inception of Love | Xi Tian | F Minor | 3 | 4A | 120 BPM | ||
| September | Joep Beving, Sonderling Quartet | D Minor | 1 | 7A | 112 BPM | ||
| The Last Farm 1 | Kjartan Sveinsson | C Minor | 3 | 5A | 160 BPM | ||
| The Reader (Malbork) | Bill Ryder-Jones | F Major | 2 | 7B | 77 BPM | ||
| …And at the Hour of Death | Víkingur Ólafsson | C Major | 0 | 8B | 122 BPM | ||
| Golden Brown | Estoria | A Major | 2 | 11B | 115 BPM | ||
| Symphony No. 3 "Symphony of Sorrowful Songs": 2. Lento e largo | Henryk Górecki, Joanna Kozlowska, Warsaw Philharmonic Orchestra, Kazimierz Kord | B♭ Minor | 0 | 3A | 52 BPM | ||
| Deep Under | Eydís Evensen | E♭ Major | 2 | 5B | 114 BPM | ||
| Song for Octave (Arr. Badzura for Solo Violin, Piano & Electronics) | Bryce Dessner, Mari Samuelsen, Christian Badzura | C Minor | 1 | 5A | 140 BPM | ||
| One Earth, One People, One Love (From Sun Rings) | Terry Riley, Kronos Quartet | G Major | 1 | 9B | 88 BPM | ||
| Midwayer | Joep Beving | C Major | 1 | 8B | 135 BPM | ||
| The Great Longing of an Unquiet Heart | Luke Howard, Budapest Art Orchestra | D♭ Major | 5 | 3B | 120 BPM | ||
| Gnossiennes: No. 4 | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 71 BPM | ||
| String Quartet: II. Àigi | Bjorn Arntsen, Towha | C Minor | 1 | 5A | 169 BPM |