On March 25, 2013, the song "Recognizer (From "Tron: Legacy")" was released by London Music Works. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Recognizer (From "Tron: Legacy")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The Best Of The London Music Works". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Recognizer (From "Tron: Legacy") is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Recognizer (From "Tron: Legacy") by London Music Works having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Journey to Glory | Trailerhead | G Minor | 4 | 6A | 133 BPM | ||
| The Power of Excalibur | Daniel Pemberton | D Major | 4 | 10B | 140 BPM | ||
| History of Artemisia | Junkie XL | F Major | 9 | 7B | 80 BPM | ||
| Sidewinder | Ghostwriter, Phil Lober | B♭ Major | 5 | 6B | 140 BPM | ||
| The Age of Man | Fringe Element | D Minor | 6 | 7A | 120 BPM | ||
| The Chronicles Of Riddick | Graeme Revell | D♭ Major | 4 | 3B | 167 BPM | ||
| Spirited Shift | London Music Works, Evan Jolly | A Minor | 7 | 8A | 73 BPM | ||
| Where to? | Marco Beltrami, Pete Anthony | F♯ Major | 4 | 2B | 106 BPM | ||
| Rise - From "The Dark Knight Rises" | London Music Works | D Minor | 3 | 7A | 76 BPM | ||
| Coronation | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 4 | 8B | 87 BPM | ||
| Magnum Opus (feat. Rojin) | Erik Ekholm, Rojin | A Minor | 7 | 8A | 75 BPM | ||
| Into the Fog | Iva Davies, Richard Tognetti, Christopher Gordon | A♭ Major | 5 | 4B | 180 BPM | ||
| 10,000 BC/End Credits | Harald Kloser, Thomas Wander | E Minor | 5 | 9A | 84 BPM | ||
| Journey To Skyhold | Trevor Morris | C Major | 4 | 8B | 86 BPM | ||
| Everdream | London Music Works | D Minor | 5 | 7A | 102 BPM | ||
| Praetorian Guards | Jo Blankenburg | C Minor | 7 | 5A | 80 BPM | ||
| Collision | Marc Streitenfeld | D♭ Minor | 3 | 12A | 75 BPM | ||
| Star Wars: Rogue One Trailer 2 - Trailer Theme | AtinPiano | C Minor | 6 | 5A | 180 BPM | ||
| I, Robot Theme (End Credits) | Marco Beltrami | D♭ Major | 6 | 3B | 120 BPM | ||
| Mutants...Surrender Now, or Be Destroyed | Christopher Drake | D Minor | 6 | 7A | 104 BPM | ||
| Tomb Of The Primes - From "Transformers: Revenge Of The Fallen" | London Music Works | G Minor | 5 | 6A | 76 BPM | ||
| First Class | Henry Jackman | B♭ Major | 5 | 6B | 113 BPM | ||
| Mind Heist: No Turning Back | Zack Hemsey | D♭ Major | 9 | 3B | 92 BPM | ||
| From Man to God King | Junkie XL | F Minor | 3 | 4A | 80 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM |