Jim Camacho's 'Marie' had a release date set for July 4, 2009. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 11 in Beachfront Defeat by Jim Camacho. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Marie is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Marie by Jim Camacho is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Why Don't You | Perfect Backseat Driver | C Major | 7 | 8B | 127 BPM | ||
| Angels Crying | The Waupoos Barn Incident | C Major | 6 | 8B | 106 BPM | ||
| Heartbreak Train | Jim Camacho | A Major | 4 | 11B | 178 BPM | ||
| How You Look at Things / Through the Lens of Time | Hollow Horse | G Major | 8 | 9B | 108 BPM | ||
| Comfortably Numb | Jaymack Carpenter | B Minor | 5 | 10A | 127 BPM | ||
| Think! | Kahnin | A Major | 3 | 11B | 130 BPM | ||
| At The End Of Everything | James Walsh | F Major | 7 | 7B | 164 BPM | ||
| Open Up Your Mind | Maverick Smith | E Major | 7 | 12B | 111 BPM | ||
| Different Way Home | The Casbahs | B♭ Major | 7 | 6B | 80 BPM | ||
| Goodnight, Nobody | Eric Hirshberg | C Major | 4 | 8B | 96 BPM | ||
| Last Love Song | Soulcolour | D♭ Major | 7 | 3B | 94 BPM | ||
| 50 Years | Chris Difford | A Major | 8 | 11B | 91 BPM | ||
| State of Your Mind | Jimmy Kirra | F Major | 7 | 7B | 164 BPM | ||
| Happy | Jim Camacho | B Major | 9 | 1B | 114 BPM | ||
| It Doesn't Matter Anymore | Ed Vallee, Paula Clare | D Major | 7 | 10B | 120 BPM | ||
| Together Forever | The Bablers | E Major | 3 | 12B | 165 BPM | ||
| Looking For A Devil Among Angels | Jim Camacho | F Major | 7 | 7B | 164 BPM | ||
| Tell Me Love | Jim Wirth | A Minor | 4 | 8A | 83 BPM | ||
| Walking in My Shoes | Mal Fantome | D Minor | 8 | 7A | 188 BPM | ||
| On a Dream | Decades Late | G Major | 6 | 9B | 190 BPM | ||
| Take Me Down to the River | Syd Silverstein | D♭ Major | 5 | 3B | 186 BPM | ||
| Bloodmoon | Sam Himself | C Major | 5 | 8B | 95 BPM | ||
| What Do I Know | Kyle Gass | B Major | 5 | 1B | 206 BPM | ||
| The Ones | Dan Spencer | A Minor | 9 | 8A | 144 BPM | ||
| Change Your Picture | Clay Connor | B Minor | 5 | 10A | 123 BPM |