Lloyd Spiegel's 'Call You When I Get There' had a release date set for July 3, 2017. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Call You When I Get There's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "This Time Tomorrow". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Australia. In terms of popularity, Call You When I Get There is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
With Call You When I Get There by Lloyd Spiegel having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Time to Let It Go | Milk'n Blues | C Minor | 5 | 5A | 152 BPM | ||
| Devil on My Shoulder | Lloyd Spiegel | E Minor | 5 | 9A | 120 BPM | ||
| When The Blues Catch Up With You | Buddaheads | G Major | 6 | 9B | 206 BPM | ||
| Blues del Trader | SOLID TRADING LATAM | G Minor | 3 | 6A | 154 BPM | ||
| Blues Prisoner | Tommy Castro | G Minor | 6 | 6A | 154 BPM | ||
| Lonely Days | Michael van Merwyk | D Major | 3 | 10B | 102 BPM | ||
| Morning Train | Curtis Salgado, Alan Hager | C Major | 5 | 8B | 108 BPM | ||
| Why Do We Hurt the Ones We Love | Layla Zoe | C Major | 7 | 8B | 96 BPM | ||
| ICE | The Sad Guitar, Misery Guitar Strings, Blues Delight, Tim Smith | E Major | 1 | 12B | 81 BPM | ||
| Love & Devotion | HeavyDrunk | B Major | 3 | 1B | 142 BPM | ||
| Lost Like Me | Lloyd Spiegel | A Major | 8 | 11B | 128 BPM | ||
| A World Gone Bad | Hurricane James Blues Project | G Minor | 6 | 6A | 136 BPM | ||
| More and More, Less and Less | Delbert McClinton & Glen Clark | E Major | 9 | 12B | 107 BPM | ||
| In the Warm Wind of the Night | RETZ Reine Krantz, Sara Krantz | F Major | 5 | 7B | 176 BPM | ||
| Black Mountain Blues | Fiona Boyes | F♯ Minor | 5 | 11A | 90 BPM | ||
| Blackest Day | Joanne Shaw Taylor | F♯ Minor | 5 | 11A | 144 BPM | ||
| Big City Blues | Mitch Grainger | E Minor | 3 | 9A | 66 BPM | ||
| Would You Take My Blood? | Shemekia Copeland | E Minor | 6 | 9A | 171 BPM | ||
| Catfish Blues | Ana Popovic, Milton Popovic | G Minor | 6 | 6A | 108 BPM | ||
| Blues Is My Best Friend | Ally Venable | E Major | 5 | 12B | 107 BPM | ||
| Problem Number 29 | John Haydock | A Major | 4 | 11B | 100 BPM | ||
| Neighbour, Neighbour | Andrea Marr, Lloyd Spiegel | A Major | 6 | 11B | 116 BPM | ||
| Hell or High Water | Altered Five Blues Band | D♭ Minor | 3 | 12A | 116 BPM | ||
| Midnight Train to Nowhere | Behnita | D♭ Minor | 3 | 12A | 116 BPM | ||
| Confession (Live) | Lloyd Spiegel | D Major | 10 | 10B | 118 BPM |