Joel Goldberg's ' "What a Difference a Day Makes" was released on its scheduled release date, July 15, 2022. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. What a Difference a Day Makes's duration is considered a little bit shorter than the average duration of a typical track. Since What a Difference a Day Makes only contains only one song in the album, we like to consider this song as a single. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, What a Difference a Day Makes is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since What a Difference a Day Makes by Joel Goldberg has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With What a Difference a Day Makes being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The old train | Stefan Scholz | C Major | 0 | 8B | 63 BPM | ||
| From Me To You | Portiere Woodtar | G Major | 0 | 9B | 69 BPM | ||
| Park Street | Timothy Reisen | G Major | 0 | 9B | 62 BPM | ||
| She’s on the Phone | Penford Giles | F Minor | 0 | 4A | 55 BPM | ||
| Ten dollars fare | Fred Mitchell | B♭ Major | 0 | 6B | 65 BPM | ||
| Can You Get Me Another One | Luke Dunn | G Major | 1 | 9B | 56 BPM | ||
| Autumn nocturne | Leah Lambert | E♭ Major | 1 | 5B | 65 BPM | ||
| It's probably me | Stefan Scholz | F Minor | 0 | 4A | 125 BPM | ||
| Lot of Love | Jacob Schröder | A♭ Major | 0 | 4B | 167 BPM | ||
| Chasing Sunsets in September | Rhys Wells | D♭ Major | 0 | 3B | 71 BPM | ||
| Stay in Your Lane | Nineve Wilson | F Major | 0 | 7B | 98 BPM | ||
| An Evening With You | Carl Dwight | G Minor | 0 | 6A | 80 BPM | ||
| Let us go | Henriette Martin | A♭ Major | 0 | 4B | 87 BPM | ||
| I'd Never Lie to You | Karl-Erik | E♭ Major | 0 | 5B | 165 BPM | ||
| L'Amour en Hiver | Nimelle | E♭ Major | 0 | 5B | 106 BPM | ||
| Come Lay beside Me | Martin Landström | E Minor | 1 | 9A | 121 BPM | ||
| Misty Mornings | Timothy Reisen | F Major | 1 | 7B | 75 BPM | ||
| Moonlight Serenade | Nineve Wilson | A♭ Major | 2 | 4B | 90 BPM | ||
| Melancholia | Ward Stetson | D♭ Major | 1 | 3B | 84 BPM | ||
| That sounds right | Graydon Poole | A Minor | 0 | 8A | 106 BPM | ||
| Very Early | Ottilie Lebau | E♭ Minor | 9 | 2A | 148 BPM | ||
| Don't Take It Too Seriously | Joe M. Key | E♭ Major | 1 | 5B | 63 BPM | ||
| No matter how | Aaron Xeres | G Minor | 0 | 6A | 88 BPM | ||
| Soulful | Frank Abrahall | E Minor | 0 | 9A | 69 BPM | ||
| Look For The Silver Lining | Angel Gregoire | D Major | 0 | 10B | 71 BPM |