"Line" by Graham Fitkin, Piano Circus had its release date on January 1, 1992. This song appears to be safe for all ages as it is not explicit. The song is number 2 out of 3 in Fitkin: Log; Line; Loud by Graham Fitkin, Piano Circus. The popularity of Line is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Line by Graham Fitkin, Piano Circus is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | F Minor | 1 | 4A | 123 BPM | ||
| Sciosophy | Graham Fitkin, Eleanor Alberga, Shelagh Sutherland, Errollyn Wallen | F Major | 6 | 7B | 142 BPM | ||
| Disturbance | Eydís Evensen | D♭ Minor | 2 | 12A | 116 BPM | ||
| 2 Sonatinas for Piano, Op. 1 No. 1: II. Larghetto | Georgijs Osokins, Arvo Pärt | B♭ Minor | 0 | 3A | 90 BPM | ||
| Piano & Violoncello 14 | Irena And Vojtech Havlovi | A♭ Major | 1 | 4B | 113 BPM | ||
| Preludes: Prelude No. 5 | Federico Mompou, Olena Kushpler | D Minor | 0 | 7A | 72 BPM | ||
| Hallelujah Junction: II. - | John Adams, Lukas Geniušas, Anna Geniushene | A♭ Major | 2 | 4B | 86 BPM | ||
| Phantasy Quintet: I. Prelude | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | F Minor | 1 | 4A | 123 BPM | ||
| Cloud Drift Sonata | Aelrin Muu | F Minor | 1 | 4A | 123 BPM | ||
| The Chill Air | Bruce Brubaker | A♭ Major | 0 | 4B | 70 BPM | ||
| Eiris, Sones | Nico Muhly, Adam Tendler | E Minor | 0 | 9A | 134 BPM | ||
| Ode to Arvo | Carolyn Barela | D Minor | 3 | 7A | 80 BPM | ||
| Back in Time | Passepartout Duo | F♯ Minor | 1 | 11A | 64 BPM | ||
| Bagatellen: V | Valentin Silvestrov | G Major | 0 | 9B | 92 BPM | ||
| 17 - 25 | Cello Octet Amsterdam | F Major | 0 | 7B | 127 BPM | ||
| A Trace of Salt | Emilie Levienaise-Farrouch | D♭ Minor | 1 | 12A | 85 BPM | ||
| Three Pieces in Olden Style: 3. (Untitled) | Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra | A Minor | 0 | 8A | 114 BPM | ||
| Somos Tres | Harold Budd, Ruben Garcia, Daniel Lentz | F Minor | 1 | 4A | 122 BPM | ||
| Piano Piece - Very Late 92 | Graham Fitkin | F Minor | 1 | 4A | 133 BPM | ||
| Hydrochorie - Live - Arr. for Piano Solo | Guillaume Ferran | F Minor | 1 | 4A | 123 BPM | ||
| 12 Nocturnes: No. 8, In Rosenblüten tanzen | Bent Sørensen, Katrine Gislinge | F Minor | 1 | 4A | 123 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Shaker Loops: 4. A Final Shaking | John Adams, San Francisco Symphony, Edo de Waart | E Minor | 2 | 9A | 171 BPM | ||
| Poem for String Quartet | Rebecca Clarke, Barbican Quartet | F Minor | 1 | 4A | 123 BPM | ||
| Sextet: III. Crotchet = 64 | Steve Reich, Colin Currie, Colin Currie Group | F Minor | 1 | 4A | 123 BPM |