Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra's ' "Symphonie espagnole, Op. 21: V. Rondo" was released on its scheduled release date, 1968. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Édouard Lalo, Itzhak Perlman's "Lalo: Symphonie espagnole - Ravel: Tzigane" album is number 5 out of 6. On top of that, United States appears to be the country where this track was created. In terms of popularity, Symphonie espagnole, Op. 21: V. Rondo is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Symphonie espagnole, Op. 21: V. Rondo by Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 12 Scenes or Caprices, Op. 109: No. 7, Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 2 | 8A | 83 BPM | ||
| Carmen, fantasie brillante, Op. 3, No. 3: Andante moderato | Jenő Hubay, Benjamin Schmid, Lisa Smirnova | B Minor | 2 | 10A | 73 BPM | ||
| Concerto for Violin and Orchestra no.2 in D minor op.22: 2. Romance. Andante non troppo | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | B♭ Major | 1 | 6B | 90 BPM | ||
| Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
| Concerto in D Minor for Two Violins, BWV 1043: Largo ma non tanto | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
| Cello Concerto No. 1 in A Minor, Op. 33: II. Allegretto con moto | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | B♭ Major | 0 | 6B | 109 BPM | ||
| Romance in F Minor, Op. 11, B. 39 | Antonín Dvořák, Seiji Ozawa, Itzhak Perlman, Boston Symphony Orchestra | D♭ Major | 1 | 3B | 111 BPM | ||
| The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
| Concerto for Violin and Orchestra no.2 in D minor op.22: 3. Allegro con fuoco-Allegro moderato (à la Zingara) | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | D Major | 2 | 10B | 96 BPM | ||
| Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Major | 1 | 10B | 108 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto | Joseph Haydn, Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | A Major | 4 | 11B | 148 BPM | ||
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
| Borodin - String Quartet No.2 in D major: Finale: Andante-Vivace | Alexander Borodin, Borodin Quartet | D Major | 3 | 10B | 125 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 15 in E Minor | Niccolò Paganini, Itzhak Perlman | G Major | 2 | 9B | 93 BPM | ||
| The Firebird, KC 10: VII. Danse infernale de tous les sujets de Kachtcheï | Igor Stravinsky, London Symphony Orchestra, Valery Gergiev | E Major | 3 | 12B | 149 BPM | ||
| La Folia | Samuel Sanders, Itzhak Perlman | D Minor | 1 | 7A | 86 BPM | ||
| 24 Caprices, Op.1 (2000 - Remaster): No. 18 in C | Niccolò Paganini, Itzhak Perlman | C Major | 2 | 8B | 103 BPM | ||
| Cello Concerto in D Minor: II. Intermezzo: Andantino con moto - Allegro - Presto | Édouard Lalo, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 0 | 10B | 168 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 21 in A Major | Niccolò Paganini, Itzhak Perlman | A Major | 1 | 11B | 57 BPM | ||
| 24 caprices en formes d'etudes: No. 5 in D Major | Pierre Rode, Axel Strauss | D Major | 1 | 10B | 93 BPM | ||
| Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
| Leclair: Sonata for 2 Violins in E Minor, Op. 3 No. 5: II. Gavotte. Andante grazioso | Jean-Marie Leclair, Itzhak Perlman, Pinchas Zukerman | E Minor | 1 | 9A | 114 BPM | ||
| Beethoven: Romance for Violin and Orchestra No. 2 in F Major, Op. 50 | Ludwig van Beethoven, Itzhak Perlman, Daniel Barenboim, Berliner Philharmoniker | F Major | 1 | 7B | 100 BPM | ||
| Conus: Violin Concerto in E Minor: I. Allegro molto | Julius Conus, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | E Minor | 2 | 9A | 98 BPM | ||
| Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | D Minor | 3 | 7A | 179 BPM |