Maia Sharp's ' "The Dash Between the Dates" was released on its scheduled release date, October 16, 2015. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Dash Between The Dates". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. The popularity of The Dash Between the Dates is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Dash Between the Dates by Maia Sharp having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Expectations | Katie Pruitt | C Major | 6 | 8B | 126 BPM | ||
| Lodestar | Birds of Chicago | D Major | 4 | 10B | 85 BPM | ||
| Seeds | Julian Taylor | E♭ Major | 3 | 5B | 100 BPM | ||
| Sundown at Francis Nash | Pete Droge | F♯ Major | 7 | 2B | 135 BPM | ||
| First Came the Thunder | Chuck Prophet, Qiensave | E♭ Major | 5 | 5B | 85 BPM | ||
| If Something Breaks | Front Country | B♭ Major | 4 | 6B | 125 BPM | ||
| Battlechain Rose | Nicki Bluhm | G Minor | 5 | 6A | 79 BPM | ||
| Pathways | Julian Taylor, Allison Russell | F♯ Major | 6 | 2B | 166 BPM | ||
| When The Truth Comes Out | Kathleen Edwards | C Major | 5 | 8B | 136 BPM | ||
| I-89 | I'm With Her, Sara Watkins, Sarah Jarosz, Aoife O'Donovan | F Major | 3 | 7B | 170 BPM | ||
| Gotta Get Back | Shelby Lynne | F Major | 7 | 7B | 96 BPM | ||
| The Ridge | Julian Taylor | A Minor | 5 | 8A | 92 BPM | ||
| Ruthless | Terra Lightfoot | B♭ Major | 5 | 6B | 134 BPM | ||
| Till It Shines - from the motion picture Munford | Lyle Lovett, Keb' Mo' | G Major | 7 | 9B | 116 BPM | ||
| Veronica Said | Benmont Tench | B♭ Minor | 5 | 3A | 119 BPM | ||
| Lovers on Display | Natalie Hemby | D♭ Major | 4 | 3B | 176 BPM | ||
| No More Darkness, No More Light | Amos Lee | B♭ Major | 5 | 6B | 98 BPM | ||
| Something Beautiful | Lynn Miles | C Major | 7 | 8B | 122 BPM | ||
| Mandolin Wind | Amy Helm | F Major | 5 | 7B | 137 BPM | ||
| Time, Time | Amelia Curran | B♭ Major | 2 | 6B | 119 BPM | ||
| Let's Begin | Reina del Cid | E Major | 3 | 12B | 85 BPM | ||
| This Too Shall Light | Amy Helm | G Major | 5 | 9B | 122 BPM | ||
| A Good Day | Royal Wood | G Major | 5 | 9B | 132 BPM | ||
| Jealous Moon | Sarah Jarosz | B♭ Major | 5 | 6B | 136 BPM | ||
| You're Alive | Maia Sharp | A Major | 3 | 11B | 68 BPM |