Midtown's 'Come On' had a release date set for February 15, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Save The World, Lose The Girl". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Come On is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come On by Midtown having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Apple Pie Cowboy Toothpaste | Fenix TX | C Major | 9 | 8B | 105 BPM | ||
| The Restless | The Matches | D Minor | 9 | 7A | 130 BPM | ||
| Happy V-Day | Reggie And The Full Effect | G Major | 9 | 9B | 97 BPM | ||
| Twenty Below | Hidden In Plain View | G Major | 9 | 9B | 102 BPM | ||
| I Am Fred Astaire | Taking Back Sunday | G Major | 10 | 9B | 148 BPM | ||
| Saddest Girl Story | The Starting Line | C Minor | 8 | 5A | 106 BPM | ||
| Rocks Tonic Juice Magic | Saves The Day | A♭ Major | 8 | 4B | 147 BPM | ||
| Get It Together | Midtown | E♭ Major | 9 | 5B | 99 BPM | ||
| Basement Royalty | Broadway Calls | F Major | 6 | 7B | 155 BPM | ||
| If I Could Make You Do Things | Two Tongues | F♯ Major | 8 | 2B | 133 BPM | ||
| With This Song I Will Destroy Myself | Moneen | E Major | 6 | 12B | 176 BPM | ||
| Shoulder to the Wheel | Saves The Day | E Major | 10 | 12B | 191 BPM | ||
| My Standard Break from Life | Alkaline Trio | A Major | 9 | 11B | 127 BPM | ||
| Speechless | Fenix TX | E Major | 9 | 12B | 192 BPM | ||
| The Pharmacist | Hot Rod Circuit | D Major | 9 | 10B | 126 BPM | ||
| And My Name's Dignan, so What? | A Day At The Fair | F♯ Major | 9 | 2B | 198 BPM | ||
| A Writer's Reference | Halifax | A♭ Minor | 4 | 1A | 112 BPM | ||
| Elephant and Castle | Houston Calls | D Major | 9 | 10B | 99 BPM | ||
| Lunch For The Sky | Socratic | C Major | 9 | 8B | 84 BPM | ||
| Fear and Loathing on Cape Cod | Piebald | C Major | 8 | 8B | 144 BPM | ||
| The Night They Blew Up the Moon | Hot Rod Circuit | B Minor | 10 | 10A | 172 BPM | ||
| So Sweet | Midtown | F Minor | 10 | 4A | 125 BPM | ||
| Dressed To Kill | New Found Glory | A Major | 10 | 11B | 163 BPM | ||
| Garden Statement | Hidden In Plain View | D Major | 9 | 10B | 165 BPM | ||
| Just Rock And Roll | Midtown | F Major | 9 | 7B | 145 BPM |