Sam Taylor's 'シェルブールの雨傘' had a release date set for October 8, 2008. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 決定盤!!「サム・テイラー 映画音楽」ベスト, so we believe that "シェルブールの雨傘" is a single. シェルブールの雨傘 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of シェルブールの雨傘 by Sam Taylor is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ワシントン広場の夜はふけて | ヴィレッジ・ストンパーズ | E Minor | 2 | 9A | 121 BPM | ||
| 白い恋人たち(オーケストラ) | フランシス・レイ | G Minor | 3 | 6A | 100 BPM | ||
| 彼と彼女のソネット | ピエール・ポルト | C Major | 3 | 8B | 108 BPM | ||
| 魅惑のワルツ | コロムビア・ボールルーム・オーケストラ | G Minor | 3 | 6A | 80 BPM | ||
| ダニーボーイ | Sam Taylor | E♭ Major | 2 | 5B | 79 BPM | ||
| 太陽はひとりぼっち (太陽はひとりぼっちより) | スクリーン・サウンド・アート・オーケストラ | C Minor | 4 | 5A | 80 BPM | ||
| 傷だらけの天使 ORIGINAL COVER | NIYARI計画 | C Major | 6 | 8B | 134 BPM | ||
| 長崎は今日も雨だった | 河村利夫 | B♭ Major | 3 | 6B | 120 BPM | ||
| エデンの東 | Sam Taylor | F Major | 3 | 7B | 86 BPM | ||
| ストレンジャー・イン・パラダイス | マントヴァーニ楽団 | F Major | 2 | 7B | 87 BPM | ||
| 女ひとり | Yuko Nagisa | F Major | 3 | 7B | 87 BPM | ||
| ロンリー・ワン | Sam Taylor | G Minor | 2 | 6A | 89 BPM | ||
| 喝采 | 河村利夫 | A Major | 3 | 11B | 104 BPM | ||
| アラウンド・ザ・ワールド~「80日間世界一周」 | ビクター・ヤング楽団 | D Major | 4 | 10B | 164 BPM | ||
| センチになって | ビリー・ヴォーン楽団 | E♭ Major | 2 | 5B | 96 BPM | ||
| AMAPOLA (アマポーラ) | Kenji Sawada | D♭ Minor | 7 | 12A | 111 BPM | ||
| 追憶(The Way We Were) | マントヴァーニ・オーケストラ | D♭ Major | 2 | 3B | 87 BPM | ||
| 出会いのワルツ 2 | 波立 裕矢 | B♭ Major | 2 | 6B | 180 BPM | ||
| 愚かなりわが心 | ビクター・ヤング楽団 | G Major | 4 | 9B | 83 BPM | ||
| 「男はつらいよ」 メインタイトル | 山本直純, Taizo Takemoto, Japan Philharmonic Orchestra | B♭ Major | 2 | 6B | 134 BPM | ||
| The Whole Nine Yards ~Opening Title~ | Ryo Yoshimata | F Major | 2 | 7B | 67 BPM | ||
| ローマの休日 [ローマの休日より] | スクリーン・サウンド・アート・オーケストラ | A♭ Major | 3 | 4B | 132 BPM | ||
| 恋心 | 岸洋子 | C Major | 3 | 8B | 88 BPM | ||
| 愛の賛歌 | カーメン・キャバレロ | G Major | 2 | 9B | 104 BPM | ||
| アラビアのロレンス 「アラビアのロレンス」より | Royal Pops Orchestra | D Major | 3 | 10B | 88 BPM |