Ryuichi Sakamoto, カクトウギ セッション's ' "スリープ・オン・マイ・ベイビー" was released on its scheduled release date, 1979. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in サマー・ナーヴス, so we believe that "スリープ・オン・マイ・ベイビー" is a single. In terms of popularity, スリープ・オン・マイ・ベイビー is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of スリープ・オン・マイ・ベイビー by Ryuichi Sakamoto, カクトウギ セッション is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 總是有水的地方 Mountain Stream | Cicada | B♭ Minor | 1 | 3A | 122 BPM | ||
| Duet | Steve Reich, Daniel Hope, Simos Papanas, Kammerorchester Basel | F Major | 2 | 7B | 140 BPM | ||
| I Miss You | 巨勢典子 | G Major | 1 | 9B | 84 BPM | ||
| Merry Christmas Mr. Lawrence | Ryuichi Sakamoto | B♭ Minor | 2 | 3A | 105 BPM | ||
| Nocturne II - After Dawn | Hayato Sumino | E Major | 0 | 12B | 125 BPM | ||
| Silver Moon Over Sleeping Steeples | David Sylvian | D Major | 2 | 10B | 120 BPM | ||
| The Culling Game | 照井順政 | A Major | 2 | 11B | 115 BPM | ||
| By This River | alva noto, Ryuichi Sakamoto | G Minor | 1 | 6A | 135 BPM | ||
| Lilac | Taisei Iwasaki | E Major | 0 | 12B | 63 BPM | ||
| After | Alex Heffes, Ryuichi Sakamoto | F♯ Major | 2 | 2B | 74 BPM | ||
| energy flow - rework | U-zhaan, Ryuichi Sakamoto | C Major | 4 | 8B | 168 BPM | ||
| The Blue Notebooks | Max Richter, Tilda Swinton | G Major | 2 | 9B | 108 BPM | ||
| Minarai | Yoko Kanno | E Major | 3 | 12B | 99 BPM | ||
| Love Song (After JE) | Max Richter | F Minor | 1 | 4A | 99 BPM | ||
| eau | yutaka hirasaka | F Minor | 3 | 4A | 128 BPM | ||
| Yearn | Adonai Michel | A Major | 2 | 11B | 115 BPM | ||
| Glassworks: I. Opening | Philip Glass, Philip Glass Ensemble, Michael Riesman | C Minor | 1 | 5A | 139 BPM | ||
| I LET GO and TRUST | Dylan John Sparkes | A Major | 2 | 11B | 115 BPM | ||
| Scattered | Alex Heffes, Ryuichi Sakamoto | D Minor | 1 | 7A | 115 BPM | ||
| Holding on to a Glittering Dream | Otto Nakamura | A Major | 2 | 11B | 115 BPM | ||
| Utano | Meitei | F Minor | 3 | 4A | 92 BPM | ||
| Marginalia #48 | Masakatsu Takagi | E Major | 0 | 12B | 65 BPM | ||
| Reperages pour piano | Umitaro Abe | G Major | 0 | 9B | 142 BPM | ||
| Peers | Hi'Spec | F♯ Minor | 0 | 11A | 119 BPM | ||
| 赤とんぼ(Aka Tombo) | Taeko Onuki, Ryuichi Sakamoto | B Major | 0 | 1B | 114 BPM |