"All Hell Breaks Loose - Original Motion Picture Soundtrack" by Harry Gregson-Williams, London Session Orchestra had its release date on January 1, 2001. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 20 in the song's album "Spy Game". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. The popularity of All Hell Breaks Loose - Original Motion Picture Soundtrack is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All Hell Breaks Loose - Original Motion Picture Soundtrack by Harry Gregson-Williams, London Session Orchestra having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Assassins Breathe | Daniel Pemberton | E♭ Minor | 6 | 2A | 125 BPM | ||
| Leaving | Harry Gregson-Williams, David Buckley | D Major | 4 | 10B | 105 BPM | ||
| Speech | Harald Kloser, Thomas Wander | D Minor | 3 | 7A | 82 BPM | ||
| If Something Goes Really Wrong | Mychael Danna, Harry Gregson-Williams | C Major | 1 | 8B | 116 BPM | ||
| Armstrong: Opening | Craig Armstrong, A.R. Rahman | C Minor | 7 | 5A | 82 BPM | ||
| Ragnar's Dream Fulfilled | Trevor Morris | C Minor | 3 | 5A | 90 BPM | ||
| Ronin Theme | Elia Cmiral | E Minor | 2 | 9A | 54 BPM | ||
| La Strada | Amy Dickson, Nino Rota, London Session Orchestra | F Major | 1 | 7B | 137 BPM | ||
| Atonement | John Powell, Pete Anthony, The Hollywood Studio Symphony | E Minor | 7 | 9A | 95 BPM | ||
| Peregrine (End Credits) | Chris Roe | D♭ Minor | 4 | 12A | 89 BPM | ||
| It Has To Be You | Abel Korzeniowski | C Minor | 2 | 5A | 187 BPM | ||
| Maersk Alabama | Henry Jackman | D Major | 2 | 10B | 175 BPM | ||
| The Song of Names for Violin and Orchestra | Howard Shore, Ray Chen | A Minor | 4 | 8A | 106 BPM | ||
| Dinner | Cristobal Tapia De Veer | A Minor | 5 | 8A | 121 BPM | ||
| Following Hobden | Daniel Pemberton | A♭ Major | 3 | 4B | 108 BPM | ||
| The International - End Title | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 3 | 8B | 66 BPM | ||
| Maybe We Are Only Two People | Abel Korzeniowski | C Minor | 3 | 5A | 168 BPM | ||
| The Sundown - 2004 Remaster | Ennio Morricone | E Minor | 1 | 9A | 47 BPM | ||
| Growing Up Londinium | Daniel Pemberton | G Major | 8 | 9B | 135 BPM | ||
| The Grave Stone | Jordan Lehning | D Minor | 2 | 7A | 70 BPM | ||
| Guarani | Ennio Morricone | F♯ Minor | 0 | 11A | 71 BPM | ||
| Breaking In (Searching The Factory) | Daniel Pemberton | D Major | 8 | 10B | 118 BPM | ||
| The Anatomy of a Memory | Hannes De Maeyer | F♯ Minor | 0 | 11A | 131 BPM | ||
| First Class | Henry Jackman | B♭ Major | 5 | 6B | 113 BPM | ||
| The Perfect Couple | Rupert Gregson-Williams | D Major | 2 | 10B | 140 BPM |