On 1956, the song "Stop for the Red Light - Undubbed Master" was released by Harold Burrage. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Stop for the Red Light - Undubbed Master's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Harold Burrage's "Messed Up! The Cobra Recordings 1956-1958" album is number 15 out of 17. On top of that, United States appears to be the country where this track was created. Stop for the Red Light - Undubbed Master is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Stop for the Red Light - Undubbed Master by Harold Burrage to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Breaking Up The House | Tiny Bradshaw | A♭ Major | 4 | 4B | 177 BPM | ||
| She's the Most | The Five Keys | A♭ Major | 7 | 4B | 170 BPM | ||
| Frankie Lee | Joe Liggins, The Honeydrippers | C Major | 7 | 8B | 131 BPM | ||
| One More Dance | Harold Burrage | A Minor | 4 | 8A | 119 BPM | ||
| Mama Don't Want What Papa Don't Want | Varetta Dillard | A♭ Major | 7 | 4B | 170 BPM | ||
| No More Doggin' | Rosco Gordon | A♭ Major | 5 | 4B | 104 BPM | ||
| Booted | Rosco Gordon | E Minor | 4 | 9A | 111 BPM | ||
| Move On | Baby Washington | B♭ Major | 7 | 6B | 82 BPM | ||
| Bills | Louis Jordan | C Minor | 6 | 5A | 81 BPM | ||
| Bim Bam Boom | The El Dorados | A♭ Major | 7 | 4B | 94 BPM | ||
| Poor Man's Prison | Gene Vincent | F Major | 6 | 7B | 132 BPM | ||
| Zing Zing | Art Neville | G Major | 5 | 9B | 67 BPM | ||
| Git With The Grits | Wynonie Harris | A♭ Major | 5 | 4B | 77 BPM | ||
| Ooh Baby, Ooh | The Applejacks | A♭ Major | 7 | 4B | 170 BPM | ||
| Blues Blues | Bo Diddley | E Major | 6 | 12B | 115 BPM | ||
| Rock Love | Lula Reed | C Minor | 4 | 5A | 81 BPM | ||
| My Country Man | Big Maybelle | D Minor | 7 | 7A | 122 BPM | ||
| Pretty Little Liddy | Harold Burrage | C Major | 2 | 8B | 144 BPM | ||
| Seventeen | Boyd Bennett | G Minor | 5 | 6A | 169 BPM | ||
| She Said Yeah | Larry Williams | F Major | 6 | 7B | 91 BPM | ||
| Love Locks | Nappy Brown | A♭ Major | 4 | 4B | 173 BPM | ||
| I'm A Little Mixed Up - Single Version | Betty James | F Major | 7 | 7B | 140 BPM | ||
| Messed Up | Harold Burrage | A♭ Major | 7 | 4B | 170 BPM | ||
| Red Headed Woman | Sonny Burgess | E Minor | 7 | 9A | 100 BPM | ||
| Pearlie Mae | The Jewels | G Major | 8 | 9B | 99 BPM |