"The Night We Ran Away" by Thomas Howe, Stephen Tait had its release date on March 3, 2015. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. The Night We Ran Away's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Thomas Howe, Stephen Tait's "Magical Fantasy" album is number 14 out of 20. On top of that, United Kingdom appears to be the country where this track was created. The Night We Ran Away is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Night We Ran Away by Thomas Howe, Stephen Tait to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Michelangelo Merisi | Matteo Curallo | D Minor | 2 | 7A | 148 BPM | ||
| The King's Lament | Stephen Tait, Thomas Howe | D Minor | 1 | 7A | 138 BPM | ||
| Midsummer Magic | Nikolas Joseph Ammar, Thomas Richard Peter Howe | E Major | 5 | 12B | 155 BPM | ||
| Across the Savannah | Nikolas Ammar, Thomas Howe | G Major | 6 | 9B | 103 BPM | ||
| Time | Danilo Stankovic | D Major | 1 | 10B | 77 BPM | ||
| April Snow | Gavin Luke | F Minor | 1 | 4A | 80 BPM | ||
| Calamity Calls | Ceiri Glyn Torjussen | C Major | 2 | 8B | 120 BPM | ||
| Soaring Horizon | Philip Guyler | E Major | 3 | 12B | 103 BPM | ||
| The Letter | Stuart Earl | G Minor | 1 | 6A | 100 BPM | ||
| Gone with | Veaceslav Draganov | G Minor | 3 | 6A | 110 BPM | ||
| Here At Last | Thomas Howe, Stephen Tait | A Major | 4 | 11B | 77 BPM | ||
| Second Chances | Leah Kardos | D Major | 2 | 10B | 116 BPM | ||
| Picture | Veaceslav Draganov | G Minor | 2 | 6A | 120 BPM | ||
| Rebirth | Jan Uve | E♭ Major | 1 | 5B | 132 BPM | ||
| It's Not OK | George Kallis | D Minor | 1 | 7A | 81 BPM | ||
| Why not be happy? | Pavel Szabo | G Major | 3 | 9B | 153 BPM | ||
| Sincerely | Ülvi Zeynalov | A Minor | 2 | 8A | 96 BPM | ||
| Unbroken | Edmund Jolliffe | C Minor | 2 | 5A | 120 BPM | ||
| You | FilthyBlackBear | C Minor | 3 | 5A | 110 BPM | ||
| Forgiveness | Panu Aaltio | D Minor | 2 | 7A | 86 BPM | ||
| Feelings | Danilo Stankovic | G Major | 1 | 9B | 88 BPM | ||
| Turn Of Events | David Fuller, Stephen Tait, Thomas Howe | E Minor | 7 | 9A | 100 BPM | ||
| Seventh Burial | Thomas Howe, Jonathan Monroe | D Major | 2 | 10B | 90 BPM | ||
| Journey To Uppercross | Stuart Earl | E Minor | 2 | 9A | 80 BPM | ||
| Love and Friendship | David Celeste | F Major | 2 | 7B | 63 BPM |