On January 1, 2001, the song "My Red-Letter Day - Original Cast Recording" was released by Ira Gershwin, Vernon Duke, Bob Walton, Jim Walton, Karen Ziemba, Rob Fisher. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "The Ziegfeld Follies Of 1936". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. The popularity of My Red-Letter Day - Original Cast Recording is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With My Red-Letter Day - Original Cast Recording by Ira Gershwin, Vernon Duke, Bob Walton, Jim Walton, Karen Ziemba, Rob Fisher having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Patterns | Richard Maltby Jr., David Shire, Lynne Wintersteller, Patrick S. Brady | E♭ Minor | 1 | 2A | 101 BPM | ||
| Laendler | Rebecca Luker, Matthew Ballinger, Michael Siberry | F Major | 1 | 7B | 120 BPM | ||
| Mame: Bosom Buddies | Jerry Herman, Angela Lansbury, Beatrice Arthur, Mame (Original Broadway Cast), Original Broadway Cast of Mame, Donald Pippin | F♯ Major | 3 | 2B | 110 BPM | ||
| Real Live Girl | Robert Goulet | A Minor | 2 | 8A | 124 BPM | ||
| Rear Window Suite: II. Lisa - Intermezzo | Franz Waxman, Danish National Symphony Orchestra, John Mauceri | B♭ Minor | 0 | 3A | 131 BPM | ||
| Theme and Explorations for Orchestra: I. The Theme's the Thing | Dave Brubeck, Chris Brubeck, The Moores Symphony Orchestra, Franz Anton Krager | D♭ Major | 3 | 3B | 140 BPM | ||
| The Mikado / Act 1: 3. A wand'ring minstrel I | Arthur Sullivan, Colin Wright, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | F Major | 2 | 7B | 90 BPM | ||
| When Autumn Comes | Linda Eder | E Major | 1 | 12B | 101 BPM | ||
| She Loves Me | Jerry Bock, Sheldon Harnick | A♭ Major | 4 | 4B | 128 BPM | ||
| An Affair to Remember | Marc Shaiman | G Major | 3 | 9B | 93 BPM | ||
| A Wonderful Day Like Today | Cyril Ritchard, The Roar of the Greasepaint - The Smell of the Crowd Ensemble | C Minor | 4 | 5A | 143 BPM | ||
| Piano Concerto: I. Overture. Swing | Teddy Abrams, Yuja Wang, Louisville Orchestra | F Minor | 5 | 4A | 85 BPM | ||
| Ah Sweet Mystery Of Life | Jeanette MacDonald and Nelson Eddy | G Major | 2 | 9B | 86 BPM | ||
| Every Day a Little Death (Act One) | Erin Davie, Ramona Mallory | D♭ Minor | 2 | 12A | 65 BPM | ||
| The Mikado / Act 2: 22. The sun whose rays are all ablaze | Arthur Sullivan, Valerie Masterson, Royal Philharmonic Orchestra, Royston Nash | G Major | 1 | 9B | 84 BPM | ||
| Carousel (La valse à mille temps) | Elly Stone, Jacques Brel Is Alive and Well and Living in Paris Ensemble | A♭ Major | 3 | 4B | 73 BPM | ||
| Meditative Flow | Rylandiaa | G Major | 2 | 9B | 136 BPM | ||
| All The Things You Are | Jerome Kern | F Minor | 3 | 4A | 83 BPM | ||
| I Remember It Well | Maurice Chevalier | G Major | 3 | 9B | 88 BPM | ||
| The Little Rose, Oh How Should It Be Listed? | Stefanie Schlesinger, Wolfgang Lackerschmid, Mark Soskin, Jay Anderson, Adam Nussbaum, Bertolt Brecht | A♭ Major | 1 | 4B | 100 BPM | ||
| 42nd Street | Wanda Richert, Lee Roy Reams, 42nd Street Ensemble | C Major | 6 | 8B | 87 BPM | ||
| Coffee Break | Charles Nelson Reilly, Claudette Sutherland, How to Succeed in Business Without Really Trying Ensemble | F Major | 3 | 7B | 115 BPM | ||
| This Funny World - From "Betsy" | Mary Cleere Haran | B♭ Major | 2 | 6B | 82 BPM | ||
| Westminster Waltz | Robert Farnon | D Major | 3 | 10B | 76 BPM | ||
| The Mikado / Act 2: 34. There is beauty in the bellow of the blast | Arthur Sullivan, Lyndsie Holland, John Reed, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 3 | 5B | 104 BPM |