Blues For Charlie
Charlie Biddle, Wray Downes, Oliver Jones, Ranee Lee, Wali Muhammad, Johnny O'Neal, Richard Ring
In Good Company
6:25 June 12, 1996
BPM
77
Key
D Minor
Camelot
7A

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Blues For Charlie by Charlie Biddle, Wray Downes, Oliver Jones, Ranee Lee, Wali Muhammad, Johnny O'Neal, Richard Ring Song Details

Charlie Biddle, Wray Downes, Oliver Jones, Ranee Lee, Wali Muhammad, Johnny O'Neal, Richard Ring's ' "Blues For Charlie" was released on its scheduled release date, June 12, 1996. This song is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Charlie Biddle, Richard Ring's "In Good Company" album is number 4 out of 11. On top of that, Canada appears to be the country where this track was created. Blues For Charlie is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

We consider the tempo marking of Blues For Charlie by Charlie Biddle, Wray Downes, Oliver Jones, Ranee Lee, Wali Muhammad, Johnny O'Neal, Richard Ring to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-12.383 dB
Acousticness
89%
Danceability
45%
Energy
34%
Instrumentalness
87%
Liveness
21%
Loudness
79%
Speechiness
4%
Valence
44%

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ISRC
CAJ229610680
Label
L-M Records/RCA Records