Climax Denial's 'A Repulsive Blueness' had a release date set for May 2, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 2 in Damp Mother Earth by Climax Denial. A Repulsive Blueness is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Repulsive Blueness by Climax Denial is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Wall and The Tree | Harrogat | A Major | 0 | 11B | 129 BPM | ||
| Gruesome Witch Chant in Circus FX | Scary Sounds, Creepy Sounds, Spooky Sounds | D♭ Minor | 0 | 12A | 139 BPM | ||
| Antumbra | Cities Last Broadcast | C Minor | 3 | 5A | 180 BPM | ||
| Devil Container | Binaural Dreams | D♭ Major | 0 | 3B | 83 BPM | ||
| 40 Hz Mental Clarity | Silent Harmonics | D♭ Major | 0 | 3B | 83 BPM | ||
| Exith the Game | Marina Frescobaldi | E♭ Major | 3 | 5B | 130 BPM | ||
| The Mist | Suat Can | G Major | 3 | 9B | 33 BPM | ||
| Decay | Harrogat | D♭ Major | 1 | 3B | 138 BPM | ||
| A Stroll Through the Ancient City | Atrium Carceri | G Major | 5 | 9B | 155 BPM | ||
| The Altar | Akira Yamaoka | D♭ Major | 0 | 3B | 83 BPM | ||
| Stof en Ruis 5 | Machinefabriek | D♭ Major | 0 | 3B | 83 BPM | ||
| It Was A Short Funeral | Climax Denial | C Major | 1 | 8B | 66 BPM | ||
| Scary Sounds | Lydia Lakeworth | B♭ Minor | 7 | 3A | 143 BPM | ||
| Hemispheric Synchronization (Training) | Hidden Gateways | E Minor | 6 | 9A | 77 BPM | ||
| The Waiting Room | Coltrin Compositions | C Major | 1 | 8B | 141 BPM | ||
| Dusk Exploration II | The Isle, Anthony Casalena | D♭ Major | 2 | 3B | 120 BPM | ||
| Shotgunner | Mikko Tarmia | F Major | 4 | 7B | 114 BPM | ||
| BLUEBANDZ II | Da Surpressor | D♭ Major | 1 | 3B | 74 BPM | ||
| Disturbance on Wood Street | Tor Lundvall | D Major | 3 | 10B | 132 BPM | ||
| Ritual casting | joseph bishara | A♭ Major | 1 | 4B | 60 BPM | ||
| Double Kill | Adrian Johnston | D♭ Major | 0 | 3B | 83 BPM | ||
| My Little Piece of Heaven | Tom Salta | B♭ Major | 2 | 6B | 89 BPM | ||
| High and Dry | Tom Salta | D Major | 3 | 10B | 146 BPM | ||
| Basement | Ben Prunty | G Minor | 1 | 6A | 100 BPM | ||
| Aquantach | Marina Frescobaldi | D Minor | 1 | 7A | 157 BPM |