Rohini Patel's ' "Mara Virpurwala Re" was released on its scheduled release date, December 27, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Pagran". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. In terms of popularity, Mara Virpurwala Re is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Mara Virpurwala Re by Rohini Patel having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghalin lotangan | Sai Damodar | F♯ Minor | 1 | 11A | 76 BPM | ||
| Vidhina Lakhiya Lekh | Hari Bharwad | A♭ Major | 8 | 4B | 114 BPM | ||
| Radhaji Na Dadaji Ae | Master Rana | B♭ Minor | 6 | 3A | 110 BPM | ||
| Chit Tu Shid Ne Chinta Dhare | Hardik Rathod | B Minor | 9 | 10A | 143 BPM | ||
| GOVIND HARI GOPAL HARI-DHUN | NITIN DEVKA-NIDHO DHOLKIA | E♭ Major | 4 | 5B | 156 BPM | ||
| Tali Pado to Mara Ram Ni | Master Rana | G Minor | 7 | 6A | 114 BPM | ||
| Joje Re Tari Jindagi Javani | Rohini Patel | F♯ Minor | 7 | 11A | 99 BPM | ||
| Bhajan Karva Me Bolavyo | Rohini Patel | E♭ Major | 6 | 5B | 104 BPM | ||
| Akshar Na Vachi | Harikrishna Patel | F Major | 5 | 7B | 79 BPM | ||
| Vallabh Kulna Vhala Shreenathji | Pamela Jain, Parthiv Gohil | D♭ Minor | 4 | 12A | 80 BPM | ||
| Uth Jaag Musafir Bhor Bhayee | Vishal Khera | B♭ Minor | 9 | 3A | 95 BPM | ||
| Mohan Muralidhara | Sachin Llimaye | D♭ Minor | 4 | 12A | 96 BPM | ||
| ANKH MARI UGHDE TYA SHRIJI | NITIN DEVKA-NIDHO DHOLKIA | E♭ Major | 4 | 5B | 156 BPM | ||
| RADHIKA GORI SE | NITIN DEVKA-NIDHO DHOLKIA | A♭ Major | 5 | 4B | 79 BPM | ||
| Rangai Jane Rang Ma | Rohini Patel | F♯ Minor | 7 | 11A | 99 BPM | ||
| Shu Bethi Maa Pag Upar Pag | Kanu Patel | B♭ Minor | 4 | 3A | 114 BPM | ||
| Pap Taru Parkash Jadeja | Hari Bharwad | F♯ Major | 7 | 2B | 117 BPM | ||
| Dharm Dulara Tame Chho Amara | Rajeev Sheemali, Rushi Pandya | E♭ Minor | 2 | 2A | 134 BPM | ||
| O Shrinathji Aavjo Tame | Anuradha Paudwal, Ashit Desai, Purshottam Das Jalota, Shubha Joshi, Umesh Vajpai | E Major | 4 | 12B | 125 BPM | ||
| Samay Maro Sadhje Vala | Ashit Desai, Purshottam Das Jalota, Anuradha Paudwal | D♭ Major | 6 | 3B | 78 BPM | ||
| Jay Jay Giriraj Kishori-Gauri Chopai | Trupti Dave | G Major | 4 | 9B | 129 BPM | ||
| HARI HARI BOL | NITIN DEVKA-NIDHO DHOLKIA | B♭ Minor | 7 | 3A | 51 BPM | ||
| Jivan Anjali Thajo Maru | Dipali Bhatt, Manoj Dave, Ninad Maheta, Foram Maheta | D♭ Major | 4 | 3B | 179 BPM | ||
| Krishan Bhagwan Chalyan | Lalita Ghodadra, Raghuveer Kunchala | F Major | 7 | 7B | 89 BPM | ||
| Jagne Jadva | Damyanti Bardai, Dipalee Somaiya Date, Chetan Gadhavi | E♭ Major | 2 | 5B | 117 BPM |