"ショパン:ワルツ第17番 変ホ長調(遺作)" by タチアナ・シェバノワ had its release date on June 21, 1991. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in ショパン:ワルツ集(全19曲), so we believe that "ショパン:ワルツ第17番 変ホ長調(遺作)" is a single. In terms of popularity, ショパン:ワルツ第17番 変ホ長調(遺作) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ショパン:ワルツ第17番 変ホ長調(遺作) by タチアナ・シェバノワ is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 8 Nocturnes romantiques de différents caractères, Op. 604: No. 8, La joie | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
| Nocturne No. 15 in F Minor, Op. 55-1 | Valentina Lisitsa | F Minor | 0 | 4A | 74 BPM | ||
| Get Us a Cab | Kokoro Shimizu | G Minor | 1 | 6A | 113 BPM | ||
| Gnossienne No. 6 | Erik Satie, Alessandro Simonetto | A♭ Minor | 3 | 1A | 123 BPM | ||
| ショパン:ワルツ第13番 変ニ長調 作品70の3(遺作) | タチアナ・シェバノワ | E Minor | 0 | 9A | 108 BPM | ||
| 6 Klavierstücke, Op. 118: No. 2, Intermezzo in A Major - Excerpt | Johannes Brahms, Stephen Hough | A Major | 0 | 11B | 71 BPM | ||
| ブルクミュラー25の練習曲: 25. 乗馬 | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| Masquerade Suite (Arr. for Piano by Alexander Dolukhanian): IV. Romance | Aram Khachaturian, Mikael Ayrapetyan | B♭ Major | 3 | 6B | 166 BPM | ||
| Undine | Laura Ballestrino | C Major | 2 | 8B | 95 BPM | ||
| Prelude Op.32 No.3 E Major | Valentina Lisitsa | D♭ Major | 3 | 3B | 70 BPM | ||
| ショパン:ラルゴ 変ホ長調 | タチアナ・シェバノワ | E♭ Major | 0 | 5B | 62 BPM | ||
| Vier Lieder für das Pianoforte, Op. 2: No. 1, Andante H. 301 | Fanny Mendelssohn, Olga Pashchenko | G Minor | 1 | 6A | 91 BPM | ||
| Mephisto Waltz No. 1, S. 514 - Live | Franz Liszt, Nobuyuki Tsujii | A♭ Minor | 4 | 1A | 103 BPM | ||
| 24 Morceaux caractéristiques, Op. 36 (Excerpts): No. 3, Nocturne | Anton Arensky, Swetlana Meermann-Muret | F♯ Major | 1 | 2B | 86 BPM | ||
| アヴェ・ヴェルム・コルプス K.618 | Mozart, 石井琢磨 | B Major | 0 | 1B | 75 BPM | ||
| Melodie, Op. 10, No.1 in G-Flat Major - Duo-Art 6405 | Moritz Moszkowski, Edwin Hughes, Peter Phillips | D♭ Major | 0 | 3B | 71 BPM | ||
| Le tombeau de Couperin, M. 68: IV. Rigaudon | Maurice Ravel, Ivana Gavrić | D♭ Major | 2 | 3B | 170 BPM | ||
| 樅の木 | Jean Sibelius, Irina Mejoueva | D Major | 0 | 10B | 73 BPM | ||
| マズルカ 作品50 第1曲 ト長調 | Kai Ichinose | G Major | 0 | 9B | 85 BPM | ||
| Soirées musicales, Op. 6: III. Mazurka | Clara Schumann, Veronica Jochum | B Major | 1 | 1B | 78 BPM | ||
| Nocturne No. 4 in A Major, H. 36 | John Field, Daria Gloukhova | D♭ Major | 1 | 3B | 68 BPM | ||
| ベニスの舟歌 | Felix Mendelssohn, Kotaro Fukuma | F♯ Minor | 0 | 11A | 79 BPM | ||
| Improvisation No. 4 | Gabriela Montero | A♭ Minor | 0 | 1A | 106 BPM | ||
| Prelude Op. 23 No. 9 in E-Flat Minor: Presto | Sergei Rachmaninoff, Park Eun Shik | A♭ Minor | 3 | 1A | 111 BPM | ||
| ラフマニノフ: 2台ピアノのための組曲 第2番 作品17 第3曲 ロマンス | 阿字野壮介 (Piano: 反田恭平), Kai Ichinose | A♭ Major | 0 | 4B | 135 BPM |