Alcina: Alcina's Aria "Ah, mio cor! Schernito sei!" by George Frideric Handel, Nazim Rzayev, Muslim Magomayev, Azerbaijan Radio and Television Chamber Orchestra Song Details

"Alcina: Alcina's Aria "Ah, mio cor! Schernito sei!"" by George Frideric Handel, Nazim Rzayev, Muslim Magomayev, Azerbaijan Radio and Television Chamber Orchestra had its release date on October 23, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 9 in Arie Antiche by Nazim Rzayev, Muslim Magomayev, Azerbaijan Radio and Television Chamber Orchestra. Alcina: Alcina's Aria "Ah, mio cor! Schernito sei!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Alcina: Alcina's Aria "Ah, mio cor! Schernito sei!" by George Frideric Handel, Nazim Rzayev, Muslim Magomayev, Azerbaijan Radio and Television Chamber Orchestra is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 7%
Loudness: -16.492 dB
Acousticness: 99%
Danceability: 15%
Energy: 15%
Instrumentalness: 22%
Liveness: 10%
Loudness: 73%
Speechiness: 4%
Valence: 9%

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