Alphonse X le Sage, Les musiciens de Provence, Maurice Guis's 'Quem a omagen da virgen...' had a release date set for August 15, 2009. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Quem a omagen da virgen...'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Les musiciens de Provence, Maurice Guis's "Les Musiciens de Provence : Musique des trouvères et des troubadours" album is number 4 out of 24. On top of that, France appears to be the country where this track was created. Based on our statistics, Quem a omagen da virgen...'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quem a omagen da virgen... by Alphonse X le Sage, Les musiciens de Provence, Maurice Guis to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chansons mariales dans l'art méridional d'inspiration ibérique: Como poden per sas culpas | Alphonse X le Sage, La Maurache, Julien Skowron | B♭ Major | 2 | 6B | 127 BPM | ||
| Caravanserail | La Chifonnie | E Minor | 2 | 9A | 143 BPM | ||
| Ipsa Lyra | Ludi Scaenici | G Major | 1 | 9B | 118 BPM | ||
| Dresden 1987 | Vox Vulgaris | G Major | 3 | 9B | 88 BPM | ||
| Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
| Triste plaisirs | Gilles Binchois, Into the Winds | F Minor | 0 | 4A | 66 BPM | ||
| Las, las, las, las par grand délit... | Gautier De Coincy, Les musiciens de Provence, Maurice Guis | F♯ Minor | 1 | 11A | 127 BPM | ||
| Danserye: Ronde: Il estoit une filette | Tylman Susato, Joculatores Upsalienses | F Major | 2 | 7B | 123 BPM | ||
| Columba aspexit | Hildegard von Bingen, Matelda Viola, Stefano Sabene, Schola Romana Ensemble | E Major | 2 | 12B | 76 BPM | ||
| Maienzit | Neidhart von Reuental, Ensemble Renaissance | G Minor | 0 | 6A | 102 BPM | ||
| Saltarello | Musica calamus | D Major | 1 | 10B | 185 BPM | ||
| De Muitas Guisas | Rey Alfonso el Sabio, La Camerata de Paris | A Minor | 0 | 8A | 49 BPM | ||
| La Rotta | Cantiga | B Minor | 2 | 10A | 113 BPM | ||
| Manfredina | Musica calamus | F Minor | 3 | 4A | 133 BPM | ||
| Fragments instrumentaux de Contrapollinopolis | Gregorio Paniagua | G Major | 0 | 9B | 74 BPM | ||
| The Temple of Mars (Original Composition for Replica Lyre in the Ancient Dorian Mode) | Michael Levy | B♭ Minor | 2 | 3A | 105 BPM | ||
| Susato: 12 Dances from the Danserye: II. Branle Quatre - Bransles | Early Music Consort Of London | G Major | 2 | 9B | 64 BPM | ||
| Saltarello No. 3 | Unicorn Ensemble | C Minor | 5 | 5A | 185 BPM | ||
| Tastar da Corde | Eduardo Paniagua | G Minor | 1 | 6A | 137 BPM | ||
| Cantigas de Santa Maria: A Madre de Que Livrou | Alphonse X le Sage, Micrologus, Patrizia Bovi | F♯ Major | 9 | 2B | 180 BPM | ||
| Cantigas de Santa María: Todo-los Santos | Alphonse X le Sage, Canticum Novum, Emmanuel Bardon | G Major | 3 | 9B | 152 BPM | ||
| Farandole De Tarascon 2 | Jacques Roux-Brunet | A Minor | 2 | 8A | 117 BPM | ||
| Suite in G Major: V. Musette de Monsieur Marais | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Inneståfrid’n efter Arvid Brännlund / Amanda | Ensemble Galilei | G Minor | 1 | 6A | 136 BPM | ||
| Shepheards Holyday or Labour in Vaine | The Broadside Band | B♭ Major | 1 | 6B | 94 BPM |