"Why Wait Until Tomorrow - Tomas Nordmark Rework" by Jay-Jay Johanson, Tomas Nordmark had its release date on February 5, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Why Wait Until Tomorrow by Jay-Jay Johanson. The song's track number on the album is #4 out of 5 tracks. Based on our statistics, Why Wait Until Tomorrow - Tomas Nordmark Rework's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Why Wait Until Tomorrow - Tomas Nordmark Rework by Jay-Jay Johanson, Tomas Nordmark has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Why Wait Until Tomorrow - Tomas Nordmark Rework being at 142 BPM, the half-time would be 71 BPM with a double-time of 284 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Red Red Red (générique début) (feat. Piers Faccini) | Kraked Unit, Piers Faccini | A♭ Major | 2 | 4B | 60 BPM | ||
| November | Jay-Jay Johanson | A Minor | 5 | 8A | 100 BPM | ||
| Love from a Distance | Michelle Gurevich | C Minor | 3 | 5A | 144 BPM | ||
| Love's Madness | Lund Quartet | C Minor | 4 | 5A | 120 BPM | ||
| Smokeless Fire | Octave Lissner | G Major | 5 | 9B | 144 BPM | ||
| Home is where it hurts | Camille | F♯ Minor | 5 | 11A | 115 BPM | ||
| Play Me Again | Tanita Tikaram | D Minor | 3 | 7A | 123 BPM | ||
| Trust In Me | Susheela Raman | A Minor | 4 | 8A | 101 BPM | ||
| Come Undone | Isobel Campbell, Mark Lanegan | B♭ Minor | 3 | 3A | 172 BPM | ||
| You Don't Know What Love Is | Dekel, Eldad Zitrin | C Minor | 4 | 5A | 115 BPM | ||
| Believe in Us | Jay-Jay Johanson | B♭ Minor | 6 | 3A | 150 BPM | ||
| Diamonds Never Die | Moriarty | E Minor | 5 | 9A | 105 BPM | ||
| Carrie Ann | Poni Hoax | G Minor | 5 | 6A | 113 BPM | ||
| Moon & Sand | Ibeyi, Benjamin Biolay | A Minor | 5 | 8A | 130 BPM | ||
| Nothing Really Ends | dEUS | D Minor | 5 | 7A | 119 BPM | ||
| Jesse James | Brazzaville | D♭ Major | 8 | 3B | 130 BPM | ||
| Pearl Diving | Micatone | A Minor | 3 | 8A | 70 BPM | ||
| Hula Hoop (Pour toi) | Limousine, Victor Solf | E♭ Minor | 4 | 2A | 92 BPM | ||
| In Peace We Live | Zeebee | C Minor | 6 | 5A | 164 BPM | ||
| Future Memories | Loopa Scava, Cayetano, Pelina | A Minor | 4 | 8A | 90 BPM | ||
| Beautiful Stranger | Sarah McCoy | A Minor | 3 | 8A | 115 BPM | ||
| Ville morose | Nadine Shah | D♭ Major | 3 | 3B | 169 BPM | ||
| Dunya | Piers Faccini | C Minor | 3 | 5A | 157 BPM | ||
| Kiss & Thrills - Remastered Version | Hindi Zahra | A Minor | 7 | 8A | 119 BPM | ||
| Road Movie | Yom, Aurelien Naffrichoux | A♭ Major | 0 | 4B | 70 BPM |