On 1998, the song "Turn the Cards Slowly" was released by Patsy Cline. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Turn the Cards Slowly's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Patsy Cline". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. The popularity of Turn the Cards Slowly is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Turn the Cards Slowly by Patsy Cline having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blue Monday | Fats Domino | B Major | 8 | 1B | 151 BPM | ||
| Behind Closed Doors | Charlie Rich | D Major | 3 | 10B | 85 BPM | ||
| Are You Really Mine | Jimmie Rodgers | F Minor | 2 | 4A | 102 BPM | ||
| Why Can't He Be You - Single Version | Patsy Cline | F♯ Major | 1 | 2B | 78 BPM | ||
| Help Me Make It Through the Night | Kris Kristofferson | C Major | 3 | 8B | 81 BPM | ||
| Daddy's Little Girl | The Mills Brothers | E♭ Major | 0 | 5B | 89 BPM | ||
| Blue, Blue Day | Don Gibson | E Major | 4 | 12B | 100 BPM | ||
| The Root Of All Evil (Is A Man) | Jean Shepard | A Major | 3 | 11B | 141 BPM | ||
| Little Green Apples | Bobby Goldsboro | E Minor | 3 | 9A | 95 BPM | ||
| You Don't Have To Say You Love Me | Dusty Springfield | D Minor | 5 | 7A | 112 BPM | ||
| The Jamestown Ferry | Tanya Tucker | B♭ Major | 3 | 6B | 124 BPM | ||
| Have You Ever Been Lonely (Have You Ever Been Blue) | Jim Reeves, Patsy Cline | G Major | 3 | 9B | 196 BPM | ||
| In the Jailhouse Now | Webb Pierce | A♭ Major | 2 | 4B | 53 BPM | ||
| A Dear John Letter | Jean Shepard, Ferlin Husky | C Major | 2 | 8B | 117 BPM | ||
| The Cold Hard Facts of Life | Porter Wagoner | C Major | 4 | 8B | 133 BPM | ||
| Yes Mr. Peters | Roy Drusky, Priscilla Mitchell | A Major | 3 | 11B | 105 BPM | ||
| King Of The Road | Roger Miller | B Major | 3 | 1B | 118 BPM | ||
| Blame It On The Bossa Nova | Eydie Gormé | D♭ Major | 4 | 3B | 80 BPM | ||
| I Don't Love You Anymore | Charlie Louvin | G Major | 4 | 9B | 127 BPM | ||
| Just Beyond the Moon | Tex Ritter | G Major | 3 | 9B | 113 BPM | ||
| (If Loving You Is Wrong) I Don't Want To Be Right | Barbara Mandrell | E Minor | 6 | 9A | 74 BPM | ||
| Walkin' After Midnight | Patsy Cline | C Major | 2 | 8B | 90 BPM | ||
| For the Good Times | Kris Kristofferson | C Major | 2 | 8B | 88 BPM | ||
| Catch a Falling Star (with Mitchell Ayres and His Orchestra & The Ray Charles Singers) | Perry Como, Mitchell Ayres & His Orchestra, The Ray Charles Singers | D♭ Major | 1 | 3B | 118 BPM | ||
| Young at Heart | Jimmy Durante | B♭ Major | 3 | 6B | 81 BPM |