Bijli Rani's ' "Bali Umar Mein Piya" was released on its scheduled release date, December 29, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Nathuniya Ke Tanka Ture". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. In terms of popularity, Bali Umar Mein Piya is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Bali Umar Mein Piya by Bijli Rani having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hare Hare Dubhiya | Sharda Sinha | F♯ Major | 4 | 2B | 102 BPM | ||
| পাখী আশা করে বাঁধলি বাসা | Rakhi Dasi Baul | D Minor | 6 | 7A | 116 BPM | ||
| Maiya Chhote Se Kanhaiya Ka Sringar Kar De | Vijay Soni | G Major | 7 | 9B | 130 BPM | ||
| Tohra Pe Waari Sanwriya Ae Raghubar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Sadiya Lai Da Balam Calcutiya | Indu Sonali, Koras | F♯ Major | 10 | 2B | 125 BPM | ||
| Rama Rama Peer Mhara | Gopal Bajaj | E♭ Minor | 7 | 2A | 134 BPM | ||
| Parichin Chaliyo Sakhi | Poonam Mishra | C Major | 8 | 8B | 153 BPM | ||
| Tumhare Husn Ke | Super Cassettes Industries Private Limited, Sameer Anjaan | F Major | 9 | 7B | 148 BPM | ||
| Piya Aaj Mori Mano | Jaysingh raja, jyoti Kushvah | F♯ Major | 4 | 2B | 158 BPM | ||
| Divya Chhe Sarve Divya Chhe | BAPS Swaminarayan Sanstha | B♭ Minor | 7 | 3A | 93 BPM | ||
| Dabe Paon Aiha Nazariya Bachake | Bharat Sharma Vyas | B Minor | 6 | 10A | 170 BPM | ||
| Dil Lagi Jo Kar Qadar | Fozia Soomro | B Major | 5 | 1B | 111 BPM | ||
| Piya Mehendi Manga Da Moti Jheel Se | Madan Rai | D♭ Major | 5 | 3B | 91 BPM | ||
| Kaniya Samhair Chalu Saadi | Rambabu Jha | D♭ Major | 10 | 3B | 150 BPM | ||
| Maa Ke Sunayab Parati - MAITHILI DEVI GEET | Vikash Jha | F Major | 8 | 7B | 144 BPM | ||
| Kati Kate Na Suni Ratiya | JaiSingh Raja, Rani Kushwaha | F♯ Minor | 3 | 11A | 129 BPM | ||
| Kone Nagar Sa Aayal Tapsiya | Poonam Mishra | G Major | 5 | 9B | 104 BPM | ||
| Gunvant Vani | Savidhan Manohare | G Major | 8 | 9B | 165 BPM | ||
| Mai Hala Hala Ke Hari | JaiSingh Raja, Roshani Patel | F♯ Major | 8 | 2B | 151 BPM | ||
| Jekar Nath Bholenath | Kalpana Patowary | D♭ Major | 1 | 3B | 66 BPM | ||
| Saat Samunder Paar Se | Gopal Rai | F Major | 5 | 7B | 89 BPM | ||
| Jejuricha Raja Devhari Sonyachya | Chhagan choughule | A♭ Major | 8 | 4B | 97 BPM | ||
| Dimik Dimik Dam Dam | Bijli Rani, Ajay Pandey | G Minor | 7 | 6A | 145 BPM | ||
| Mhino Phagan Ko | Seema Mishra | B♭ Minor | 7 | 3A | 93 BPM | ||
| Mujhko Rama Sharan Mein Lije | Anjali Jain, Shailendra Jain | A♭ Major | 4 | 4B | 138 BPM |