Ulaid, Duke Special's ' "Far Set" was released on its scheduled release date, December 4, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 10 in A Note Let Go by Ulaid, Duke Special. Going off of the ISRC code of this track, we detected that the origin of this track is from Ireland. The popularity of Far Set is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Far Set by Ulaid, Duke Special is Presto (very, very fast), since this song has a tempo of 185 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Winter Moon | Lau | C Major | 3 | 8B | 68 BPM | ||
| Maraiche nan Cuantan | Trail West, Kathleen MacInnes | F Major | 1 | 7B | 207 BPM | ||
| Wheels And Needles | Basco | A Major | 5 | 11B | 120 BPM | ||
| First Homecoming | Lau | A Minor | 4 | 8A | 75 BPM | ||
| Night Visiting Song | John McCusker | G Major | 3 | 9B | 80 BPM | ||
| El Garrotin | Ulaid, Duke Special | G Major | 6 | 9B | 118 BPM | ||
| Jock O' Hazeldean | Skyrie | D Major | 8 | 10B | 115 BPM | ||
| Meet Me at Loganlea | Hannah Rarity | B♭ Major | 1 | 6B | 148 BPM | ||
| Half Wild | Kitty Macfarlane | A♭ Major | 3 | 4B | 73 BPM | ||
| The Death of the Dining Car | Lau | D Major | 2 | 10B | 120 BPM | ||
| Fàil ì, Fàil ó | Breabach | B♭ Major | 3 | 6B | 50 BPM | ||
| (Meet Me By The) Goretree | Beth Malcolm | G Major | 3 | 9B | 111 BPM | ||
| Colin's Set | The Magpies | D Major | 5 | 10B | 124 BPM | ||
| Farewell to Uist | Duncan Chisholm | C Major | 6 | 8B | 113 BPM | ||
| Gur Milis Mòrag | Kathleen MacInnes | G Major | 1 | 9B | 126 BPM | ||
| Cellos | Major Danby, Tanya Bradley | A Minor | 3 | 8A | 106 BPM | ||
| Corryvreckan | Donald Shaw | E Minor | 6 | 9A | 102 BPM | ||
| Passing Places | Blue Rose Code, Kathleen MacInnes | D Major | 2 | 10B | 120 BPM | ||
| Lady Isabella / An Da-Shealladh | Lauren MacColl | D Major | 3 | 10B | 109 BPM | ||
| Carriage 12 | The Young'uns | E Major | 4 | 12B | 114 BPM | ||
| Ae Fond Kiss | Karine Polwart, Dave Milligan | B♭ Major | 0 | 6B | 80 BPM | ||
| The False Young Man | Ewan McLennan | D Major | 1 | 10B | 83 BPM | ||
| 'Twas on One April's Morning | Show Of Hands | G Major | 4 | 9B | 140 BPM | ||
| Here We Go 1, 2, 3 | Heidi Talbot | C Major | 3 | 8B | 81 BPM | ||
| Friendship | Ímar | D Major | 3 | 10B | 129 BPM |